ETC Eos delivers dynamic looks for The Dream of Gerontius
As part of its summer programme, English National Opera appeared at the Royal Festival Hall for a captivating production of Elgar’s The Dream of Gerontius. Multi-award winning lighting designer Lucy Carter used light – controlled with ETC Eos® Ti and RPU3 – to create an additional layer of emotion and energy to support and reflect the music.
Widely regarded as Elgar’s finest choral work, The Dream of Gerontius relates the journey of a pious man’s soul from his deathbed to his judgment before God and settling into Purgatory. To evoke an otherworldly feel, Carter opted for simple staging with abstract lighting energies that combined with the music to create an ethereal quality.
“When I was researching this production and arrived at my eventual design decisions, I knew that in order to create the complex and detailed environments to match the expansive and evocative music and themes of the libretto, I would need an immense amount of flexibility from my rig,” says Carter. “I chose to work almost exclusively with the GLP impression X4 Bars and Eos pixel mapping, and to use video files to populate the designed structure of the lights with energies and light textures.”
Supplied by PRG, the rig consisted primarily of 163 GLP impression X4 Bars, arranged into six concentric triangles positioned over the orchestra, and three rows over the chorus. Lighting of the choir and orchestra was delivered by 12 Martin Mac Aura XBs, with the soloists and conductor lit by a combination of ETC Source Four® LED Series 2 Lustr and Vari-Lite VL1000 AS fixtures. The rig required in excess of 40 universes of DMX, delivered via 14 ETC DMX/RDM Four-Port Gateways mounted locally on the trusses by production electrician Martin Chisnall.
To deliver the dynamic range of looks required, Carter worked closely with lighting programmer Jenny Kershaw, with programming support from Andi Davis, on behalf of ETC. “Jenny and I have been working with these ideas for a few years, and the ETC desks are an essential tool for our design work,” says Carter. “I want the lighting textures to feel organic and not mathematically produced and Jenny is able to manipulate the effects tools to create the dancing light textures I want. These are not repetitive effects, but seemingly evolving and dynamic.”
“The Eos Ti’s ability to deliver pixel mapping via the on-board Virtual Media Server, along with its conventional channel-based control, meant it was the perfect solution for this project,” adds Kershaw. “The content was generated on-board via effect layers, allowing for fast and convenient creation and editing of the looks required.”
The demands of this project saw ETC further expand the capabilities of its celebrated Eos software by adding extensions to the existing Eos Family Virtual Media Server feature. The pixel map size limits have been enhanced, allowing for control of up to 16,000 pixels. Additionally, Virtual Effect Layers have been modified to enable generation and manipulation of content for much larger pixel maps, and a variable server smoothing feature has been added.
“Thanks to the fantastic support we received from ETC and Andi Davis, we managed to achieve the complexities I was looking for,” says Carter. “With almost 500 cues and effects and numerous cue lists running simultaneously, Eos never let us down.”
Indian Wells Tennis Garden selects RTS and Electro-Voice audio products for Stadium 1 upgrade
Burnsville, MN, May 2017: Located in Palm Desert, California in the Coachella Valley, Indian Wells Tennis Garden boasts 29 regulation tennis courts. At 16,100 seats its largest, Stadium 1, is the second-largest tennis-dedicated stadium in the world. Indian Wells is the host to the annual BNP Paribas Open, a major two-week pro tournament. Constantly evolving under the ownership of Oracle founder Larry Ellison, the facility recently rebuilt and refurbished Stadium 1, including a complete audio makeover that features premium products from two Bosch brands: RTS and Electro-Voice. Technicomm Industries, an area firm that has handled previous Indian Wells expansions and upgrades, was contracted to handle the upgrade.
“We had a loudspeaker demo shootout; six companies, no loyalties, and the EV products flat-out won on sound quality and aesthetics.”
“They decided to totally refurbish the main stadium last year. One goal of that change was to modernize the intercom system,” says Steve Burgess, project manager for Technicomm. “We wanted a system that could become part of our site-wide Dante audio network, and RTS was one of the few brands with that capability.”
Burgess contacted his regional RTS rep, Jeff Shorsher, to arrange a demo. Upon experiencing the system’s capabilities, Indian Wells and Technicomm agreed it was the smart choice. Operating as part of Indian Wells’ existing Dante matrix system would create great flexibility, enabling both in-house and external communications. In addition, it would enable Technicomm to address another need by eliminating equipment clutter in the broadcast booths.
“Over the years, the booths, which are quite small, had built up a variety of equipment to meet communication needs, including multiple radios, cell phones, and a computer,” notes Burgess. “By integrating everything together in a Dante network, the RTS system met every need and eliminated a ton of gear from that booth. That made a lot of people happy.”
The intercom system is based on an RTS ADAM-M digital matrix and utilizes OMNEO IP technology as its networking backbone. A total of 15 RTS DKP-4016 desktop keypanels and one rack-mount RTS KP-5032 keypanel are spread throughout the sprawling Indian Wells facility, each fitted with a gooseneck microphone.
“The programmability of the RTS intercom system put us miles ahead of our previous capabilities,” says Burgess. “We were able to route several Dante audio streams into the system and tailored each keypanel to what that operator needs on it. We were even able to incorporate the audio stream for the Hawk-Eye line judging system, which was a huge advantage for the broadcast team.”
The Hawk-Eye visually tracks ball trajectory and is used to adjudicate disputed out-of-bounds calls in professional tennis events, including the PNB Paribas Open at Indian Wells. The system requires audio input from the court effects and umpire microphones, which previously was achieved with the help of an outboard mixer.
“Having a Dante network with RTS keypanels changed all that,” says Burgess. “Now we use the speaker on the keypanel as the playback device. All we had to do was go into our Dante controller, drag the source channels over to the destination and boom, it was done. Very simple, easy to use, and sounded great. It’s a good example of the flexibility of a Dante-based system. It also eliminated a whole bunch of gear out of the broadcast booth, which was another goal of ours.”
Another major aspect of the Indian Wells upgrade was the public address system. When Technicomm learned that the Bosch family of brands included Electro-Voice, they were invited to be part of a multi-brand comparison. Quantum’s EV rep, Dave Brown, came in to consult on product selection and provide evaluation samples.
“We had a loudspeaker demo shootout; six companies, no loyalties, and the EV products flat-out won on sound quality and aesthetics,” explains Burgess. “The EVID ceiling speakers were the clear choice based on superior sound quality.”
A total of 60 EVID PC 6.2 premium ceiling speakers were installed in the facility’s premium areas, including the owner Larry Ellison’s private suite, along with other viewing suites, the champions’ lobby, and fitness center. For wall-mount indoor/outdoor applications, the facility chose the EVID 4.2, a weather-resistant design that combines attractive styling and flexible mounting with high fidelity and exceptional intelligibility.
The installation itself was a major challenge for Technicomm due to delays in the physical construction process of refurbishing Stadium 1. “We were joking that we needed more Bosch power tools, because we were basically working through February 5th, and the tournament started the next day,” says Burgess. “We ended up connecting and testing everything outside the audio cage before we deployed it. Jeff Shorsher and Calvin Ogawa from RTS really had my back, programming the system on site and interfacing it with the broadcast system. They made sure that when we put the gear out in the field, it worked right the first time. I want to thank them for their incredible support.”
While the audio and intercom upgrades were focused on Stadium 1 and broadcast logistics for the annual BNP Paribas Open, the facility is in year-round use for other events as well, including music and arts festivals, major concerts, and as a graduation venue for area high schools.
“By adding RTS intercoms and EV loudspeakers to the Dante-based system they had in place, Indian Wells now has the flexibility to provide the audio and communications for any type of event, with scalability that will make future expansion easy,” adds Burgess. “And history tells us that there will be ongoing enhancements at Indian Wells Tennis Garden for years to come.”
This article is originally from www.electrovoice.com
Chess Club Wins with Attero Tech
Played by more then 605 million adults and countless children, chess has long been one of the world’s most popular pastimes. Since 2008, the Chess Club and Scholastic Center of St. Louis has led the way for U.S. chess education and competition, including hosting the prestigious annual U.S. Championship, U.S. Women’s Championship, and U.S Junior Closed Championship, as well as housing the World Chess Hall of Fame. Along with chess classes, summer camps, and field trips, the center offers a variety of community events, including a family day, film night, and monthly music series.
Designing an advanced audio system for the Chess Club might not be as daunting as playing chess with a grandmaster but it was challenging nonetheless. “This is a group of very creative people, and they’re constantly coming up with new presentations, displays, and other projects,” praises Cignal Systems vice president Brian Rice, who headed up a design team that also included Project Manager Doug Hill and control systems manager Mark Olsen. “We had to step up our creativity to give them an audio system that matched the flexibility and creativity they demonstrate all the time. Using a Dante network connected with Attero Tech unD6IO 4-in, 2-out Dante wall plate interfaces, we were able to provide sophisticated audio distribution throughout the three floors of the facility and make it easy to use.”
Attero Tech’s role in the project went beyond supplying unD6IO interfaces. “Early in the project, we discussed with Attero Tech what we were trying to do,” confirms Rice. “They corrected some of our assumptions and pointed us in a more appropriate direction for best using their technology. And because they keep pushing their technology forward, the interfaces we ended up installing had a lot more inputs and outputs than we had originally specified. With their help, we brought a lot more value to the customer, and we were able to achieve greater results within the implementation of the design. We appreciated that.”
The Chess Club features three galleries and an assortment of classrooms and other spaces on the first two floors and a performance space on the third floor. Also on the ground floor are an outdoor patio and the Q Boutique, hailed by the local media as one of St. Louis’ best gift shops. The club wanted to be able to send audio from any source, including the performance space, to any speakers in the network, including in the gift shop and patio.
Rice’s team specified a distributed, IP-based sound system based on SoundTube IPD Dante-enabled IP speakers and a Symetrix Prism 8×8 DSP, with a unD6IO interface in each space. “Attero Tech unD6IO interfaces offered the best way to get inputs and outputs into each of the front galleries through our Dante network,” Rice reports. “We route the Attero Tech unD6IOs to a switch, which is connected to a Symetrix Prism DSP that manages our analog wireless systems and playback devices throughout the facility. From the DSP, digital audio goes into the Dante backbone, where it is routed and distributed. The IP speakers have onboard processing so we can adjust them to the acoustic environment. The DSP mostly manages the Dante network and provides some auto-mixing.”
The third-floor performance space also uses a distributed speaker system but with the addition of subwoofers. “It’s not a big room but they wanted a bit more intelligibility and a bit more lift,” Rice recalls. “The musical performances are acoustic, so they don’t need a lot of volume. When they do want big, booming bass-they have some rap battles, hip-hop, and other contemporary audio in their chess videos-they can hook up a subwoofer. We’ve done sophisticated programming with our control systems that crosses over the distributed system, rolls off the low end, and channels that to the subs when needed.”
All sources can be routed to any combination of speakers throughout the network. “If they have a multi-level showing, and someone comes in to speak about a particular chess set or exhibition, they can put a wireless body pack or handheld on the lecturer,” Rice details. “As the person moves from floor to floor, that audio can be piped to any or all floors. There’s no awkward microphone changeover; audio just flows from one space to the next.”
The monthly musical performances became so popular that the club wanted to pipe the music out to the patio in front of the museum. “The Chess Club is part of the cultural atmosphere of the Central West End,” offers Rice. “Immediately adjacent to the patio is a Starbucks coffee house, and people buy coffee and then sit on the patio and enjoy their drink while listening to the performance. The club also can channel the music to the first and second floor galleries.”
Attero Tech interfaces proved so useful that the Chess Club requested more of them. “We used at least six unD6IO interfaces to begin with,” Rice states. “When the customer saw the system’s potential, they had us add a couple more Attero Tech interfaces to expand their inputs and outputs. They’re pleased and excited about their new audio system-and so are we.”
Please contact us for more information on Attero Tech products.
See Attero Tech’s New AES67 Endpoint Products at InfoComm
Attero Tech will be debuting five new AES67 endpoints, as well as a 32 input Dante/AES67 1RU audio interface at InfoComm 2017 in Orlando.
The new AES67 endpoints include these 2-gang wall plate products:
unAX4I – 4 XLR inputs + 2 balanced outputs
unAX2IO+ – 2 XLR inputs, 2 XLR outputs + 2 separate balanced inputs
unA6IO – 2 XLR inputs, 2 RCA inputs, 3.5mm stereo input, 3.5mm stereo output + 2 balanced outputs
unA6IO-BT – Stereo Bluetooth audio input, 2 RCA inputs, 3.5mm stereo input, and a 3.5mm stereo output
The new flange-mount AES67 interface is the unAIO2x2+, which features 2 balanced mic/line inputs and 2 balanced line outputs.
The Synapse D32i allows up to 32 consumer or pro level line inputs to be introduced onto a Dante or AES67 network. The D32i includes primary and secondary RJ-45 ports as well as primary and secondary SFP fiber ports to make long distance connections simple. Options for 3-pin depluggable or DB-25 balanced audio connectors means the D32i will be at home in almost any venue.
QSC Q-SYS plugins for several Attero Tech Dante and AES67 endpoints will also be shown, along with the new Version 2.3 of Attero Tech’s unIFY software.
We look forward to seeing you at InfoComm and showing you the great solutions we have to make make your projects easier and more cost effective.
Please contact us for more information on Attero Tech products.
ETC introduces the Response DALI Gateway for architectural markets
ETC has announced the addition of the DALI Gateway – that accepts DMX input and outputs DALI protocol – into the company’s line of Response products. The DIN-rail-mountable Response DALI Gateway delivers a single loop of DALI control for up to 64 devices and 16 groups.
ETC Networking and Architectural Controls Product Manager Lowell Olcott explains: “This product allows for the control of DALI devices to be added to all of ETC’s lighting systems, making the product a great option for retrofits and new installations alike.” Users have complete control over their entire system with a patchable output map, allowing for the assignment of individual DMX addresses to each DALI device.
The Gateway supports auto-replace, allowing failed DALI devices to be replaced without the need for configuration tools. The DALI Gateway uses special calculations for individual, group, or broadcast DALI commands, to optimise fade performance and ensure dimming quality.
For more info about the ETC DALI Gateway, please visit www.bit.ly/erdalig.
Introducing the ETC ColorSource Starter Pack
Because everyone should have access to great LED
ETC is an industry leader in entertainment lighting and controls and with their ColorSource range of fixtures and consoles going LED is now even easier than it has ever been.
As the distributor of ETC in South Africa ApexPro is offering a special deal on a ColorSource starter pack that is designed to get any user up and running with quality LED. For users with small theatre spaces, school auditoriums, promo stages or houses of worship, the starter pack offers an excellent opportunity to either upgrade your existing rig or start fresh. And with ETC’s excellent quality assurance and technical support network, you can rest assured that you won’t ever be left in the dark.
The starter pack includes:
- 1x ColorSource 20 Console
- 2x ColorSource Spots with 26° lens tubes
- 4x ColorSource PARs with medium round lenses
- Associated DMX and Power cabling
Specially designed to work with LED fixtures and with up to 40 control channels and 1 universe of DMX 512 the ColorSource 20 is the perfect console for small LED rigs. It makes both programming and operation a simple and enjoyable experience for everyone from beginners to more experienced programmers. The console manages to balance ease of use with powerful capabilities helping to make your lighting look as professional as a Broadway production.
ETC’s ColorSource range of fixtures are unsurpassed in their class in the entertainment lighting industry. With their patented colour chip mixing system ColorSource fixtures can access colours on the spectrum that no other LED fixtures can, giving you smooth and rich colour fades and brilliant hue and saturation options that aren’t limited to just red, green and blue.
The ColorSource Spots offer brilliant lighting shaping options with shuttering, barrel rotation and gobo and iris slots. Anyone who has ever worked with a tungsten profile will feel right at home except that now you don’t have to waste time with gel changes and even gobos enter a whole new realm of possibilities. Equipped with the 26° lens tube which offers a beam angle to suit most spaces the spot makes for a superb addition to any rig.
Like its big brother, the ColorSource PAR offers all the same colour and dimming capabilities as the spot but in a compact and stylish PAR package. With a medium/wide lens it’ll give you great washes across the space you’re lighting immediately transforming it into a wonderland of colour.
The ETC ColorSource starter pack represents an excellent investment for your venue and with the savings you’ll make on electricity consumption and lamp replacements it’ll soon pay for itself. Whether this is all you’ll ever need, or is a good starting point from which to upscale later, the ColorSource starter pack is your chance to get your hands on some great LED.
ETC launches Dual Tech Sensors and Contact Interfaces for Unison Echo line
ETC has released two new additions to its Unison Echo® line of architectural lighting control. The new Dual Tech Sensors ensure spaces can adhere to stringent energy codes, while also ensuring occupant comfort. And two Contact Interface devices provide simple and seamless integration with other systems.
Dual Tech Sensors
For locations where no movement doesn’t mean a space is vacant, the new Dual Tech sensors offer a convenient and reliable way to make sure illumination is constant. Dual Tech sensors couple passive infrared (PIR) detection with acoustic detection and can support almost any room size or configuration. Available in wall, ceiling and switch mount configurations, with a range of finish options, the Echo Dual Tech sensors offer different models for Occupancy or Vacancy, meeting energy codes without the need for advanced configuration. The Dual Tech sensor features a walk test function to confirm coverage, supports small movement detection up to 45-feet, and includes coverage patterns for most applications. They are UL Listed and CE marked, and meet ASHRAE 90.1, IECC, and CA Title 24 codes.
For more info about the Echo Dual Tech Sensors, visit www.bit.ly/echodualtech
System integration is simple with the new Echo Contact Interfaces. Available in 4-input and 4-output versions, Contact Interfaces seamlessly join Echo systems to third-party, external control systems. The Echo Contact Input Interface (ECII) can receive wet or dry contacts and uses the closure to activate actions in your Echo control system. Anything from a basic toggle switch all the way up to an advanced enterprise A/V systems can trigger the Contact Input Interface. And with the EchoAccess® mobile app users can program the system for any Echo control action.
The Echo Contact Output Interface (ECOI) supplies contact triggers to external systems. A contact output can be generated as part of any preset or zone control to automatically trigger an external system, including functions like powering on a projector or deploying shades. Additionally, the Echo Contact Output Interface can send a contact to third-party management programs, keeping enterprise-wide systems updated of the lighting system status. Both Echo Contact Interfaces connect your Echo system to larger installations, bringing custom actions and high-level integration to a budget-friendly system.
For more info about Echo Contact Interfaces, visit www.bit.ly/ecinterface
New software for ETC’s ColorSource Relay implements wireless RDM
The ColorSource® Relay system kick-started a new era of power control, bringing budget-friendly system infrastructure with data distribution to theatres, houses of worship, schools and community centres. Now the ColorSource Relay is upgrading its simple configuration and wireless performance with the addition of wireless RDM.
The latest release of the Relay software – version 1.1.0 – is available to download and offers venues the ability to add wireless RDM to their ColorSource Relay system. RDM makes the convenient system even simpler to use, letting users identify and address their equipment wirelessly and then configure and monitor it, no matter where it’s placed in the rig. The Relay and ColorSource Transmitter have a 100-metre (328-foot) range and require minimal setup and no programming whatsoever.
“The ColorSource Relay system was already a ground-breaking tool, but now it’s even more powerful with the addition of wireless RDM,” says Ned Keitt-Pride, power controls product manager. “The ColorSource Relay makes it easy to get DMX, power and the benefits of RDM into remote locations.”
RDM is available in all ColorSource Relay units with an upgrade to software version 1.1.0. . In order to upgrade their units, users should contact ETC technical support. In addition to adding wireless RDM, the latest version of the ColorSource Relay software also includes upgrades for performance optimisation of wireless DMX.
The problem-solving ColorSource Relay offers configuration and control without cords and gives experts and beginners alike the superior ETC control experience.
For more information on the ColorSource Relay and the entire ColorSource family, visit www.etcconnect.com/ColorSource.
Attero Tech aloft in Perth
Stokes Technologies was brought in to design the A/V infrastructure for the meeting and entertainment spaces at Aloft Perth, the latest addition to Aloft Hotels’ global portfolio. Although the hotel’s specification called for patch panels to be incorporated into the system, the A/V systems integrator elected to offer an alternative using Attero Tech wall plates.
‘A patch bay only lets you send one point to another point,’ explained Aaron Mitchell, system engineer at Stokes Technologies. ‘While patch panels are fine for a recording studio, the production guys here don’t like them. Going with Dante and Attero Tech allowed us to bring all the channels to the DSP, route them wherever we want and make control easy.
‘We initially priced the job with point-to-point XLR cables but when we changed to Attero Tech wall plates and a network, we found that running one Cat-6 instead of six XLR cables can cover the cost of the wall plate. In addition, we can get electrical trades and IP trades to run and terminate our Cat cables so our brain trust can work on the programming instead of soldering cables.’
The installation covered the hotel’s W XYZ bar, Re:Mix Lounge and outdoor pool on the ground floor with seven meeting rooms on the mezzanine and a rooftop area comprising the Springs Ballroom and an outdoor terrace. ‘This is a new hotel, so it’s ground-up construction,’ noted Mr Mitchell. ‘We built a ground-level system that is networked to the mezzanine system and a rooftop system that’s connected by network switches and fibre. We have 12 spaces of background music across the ground level and mezzanine. We’re using two Attero Tech unD6IO 4-in, 2-out Dante wall plate interfaces in each mezzanine room, with balanced, switchable mic/line inputs and phantom power.’
The rooftop is equipped with seven Attero Tech wall plate locations, each comprising an unD6IO and an unDX2IO 2-in, 2-out Dante wall plate to provide additional channels. These solutions are managed from the mezzanine, 13 floors below. ‘We also used unDIO2x2 2-in, 2-out flange-mount Dante interfaces,’ said Mr Mitchell. ‘There are 170 channels of Dante going across the system, including 70 from the rooftop level. IP TV runs down the same fibre using HDMI transmission over IP.’
In the W XYZ Bar is a BGM system and a wall-mounted television that receives IP TV signals. ‘We’re taking audio from the IP TV box to a unDIO2x2 interface,’ explained Mr Mitchell. ‘This deploys it back onto the audio network, from which it can come back through the BGM speakers.’
Achieving even coverage throughout the bar was a challenge due to the narrow space, high ceilings and several obstructions. To combat this, Stokes Technologies installed a combination of pendant and flush ceiling speakers. ‘We have speakers at 6m high and at 2.5m all within one zone,’ Mr Mitchell reported. ‘We’ve got Crestron pendants in that area because of the ceiling height.’
A range of sources are set up at the start of the signal chain in the bar. Mood Music Players located on the roof level and an Essential CD player provide four BGM audio channels. There’s also a local Attero Tech unD6IO input with XLR microphones and the television. Source selection is via a Crestron touch panels. The Stoke Technologies team simplified control further by programming default states, ensuring the system functions without the touch panel.
This article is originally from www.proaudio-central.com
Please contact us for more information on Attero Tech products.
ETC launches Unison Paradigm Inspire control stations and Dual Tech sensors
ETC has expanded its Unison Paradigm® line of architectural lighting controls, increasing lighting station options with the line of Inspire® control stations and making it easier to comply with stringent energy requirements with the new Dual Tech sensors.
Inspire Control Stations
The powerful and elegant Inspire station, originally introduced in the Unison Echo® product line, is now a member of the Paradigm family with an updated design and the full feature set of the Paradigm control system. Stations come in a range of styles and button configurations, which allow them to be a perfect match for any installation.
The Inspire stations can be easily programmed for preset lighting looks, zone control, space-combine functions or any other Paradigm control function. With one-, two-, four-, six-, and eight-button station options – as well as the four-button station with a fader coming late summer – the Inspire stations can be as tailored as the light itself. Laser marked button labels identify each button, and custom marked button caps are available to personalise any installation. The button caps are easily replaceable in the field if control needs change with ongoing use.
Each button features a colour-controllable LED backlight that offers a quick visual indicator of function and button state. And when it’s time to set looks, the Inspire fader station offers basic intensity control as well as intuitive colour control for hue, saturation, and intensity for colour mixing luminaires.
Contractors will appreciate the thought that went into making installation a snap. The stations are standard sizes and can easily be ganged together to fit into any control location required. Stations and faceplates are available in cream, grey, black, and white, ensuring a visual fit in any setting. Behind the scenes the stations use the LinkConnect two-wire, topology-free system to give installers the freedom to put stations where needed without worrying about wiring.
“They’ve been incredibly popular as the face of the Echo control line and now we are very excited to offer them as an additional control station option for our Paradigm line,” said Bryan Palmer, architectural market manager for ETC.
The Paradigm Inspire button stations will be available at the end of April, with the four-button fader station available in early summer.
For more info, visit www.bit.ly/epinspire
Paradigm Dual Tech Occupancy and Vacancy Sensors
ETC’s new Dual Tech Occupancy/Vacancy Sensors are designed for restrooms, privacy rooms and other areas where a lack of movement doesn’t necessarily mean a space is unoccupied. The Dual Tech sensors take their name from the fact that they couple passive infrared (PIR) detection with acoustic detection technology, ensuring lights stay on when needed and turn off when they’re not.
Spaces of any size are supported by the new Dual Tech sensors, with multiple mounting options including ceiling-, wall-, and switch-mounted configurations. More installation customisations include the option to program either Occupancy or Vacancy mode during commissioning, multiple coverage options – with a walk test function to confirm coverage – and multiple finish options. Dual Tech Sensors meet ASHRAE 90.1, IECC, and CA Title 24 codes, keeping occupants comfortable while complying with current energy regulations. They are also UL listed and CE marked.
For more information about Paradigm Dual Tech Occupancy and Vacancy Sensors, visit www.bit.ly/etcparadigmdual