ETC’s ColorSource Linear 4 completes the family
ETC’s ColorSource® Linear family is now complete with this week’s launch of the ColorSource Linear 4 fixture. This is the third and longest variation of the ColorSource Linear fixture and measures a full two-metres in length. Like the half-metre and one-metre fixtures, Linear 4 comes in both original and deep blue array options. Both offer a richness of colour, and quality of light output you’ve come to expect from ETC ColorSource fixtures.
Every half-metre of the Linear 4 is individually addressable and controllable from the simple 7 segment display. It’s like having four fixtures in one. Linear fixtures are perfect for use as curtain warmers, sidelights, an unbroken stage wash, and in any installation location that is too narrow for many other standard fixtures.
ColorSource Linear proves that affordable can be rich.
ETC acquires High End Systems
ETC and High End Systems announce today they are joining forces as ETC completes the acquisition of the Austin, TX based company from Barco Inc.
ETC CEO Fred Foster says, “Today we welcome the High End team to the ETC family. ETC will provide a supportive environment enabling High End to continue to innovate and make great products for the industry.”
Under the ETC umbrella, High End gains the oversight of an experienced lighting industry team to grow its capabilities in service, support, and product development. “Bringing High End to the family furthers our goal of growing and diversifying ETC. We plan to help High End become a market leader for live event industry products,” says David Lincecum, VP of Marketing at ETC.
ETC will operate High End as a separate company located in its current Austin, Texas, USA facility. High End customers should continue to use normal means of contact for sales and service. Current contact information is listed here: www.highend.com/company/regional-sales#RDS
While there are no immediate changes to the sales and distribution channels, High End plans to evolve and improve the company’s reach in all markets by partnering with the existing distributor and dealer base and investing more in the support of these channels.
Mark Vassallo, ETC VP of Sales, and David Lincecum welcome feedback, questions or concerns regarding the acquisition.
ETC scales new heights with introduction of Prodigy P2 hoist
ETC is kicking off a new era in upper stage machinery with the introduction of the P2 hoist. Offering quick installation, easy operation, revolutionary features and affordable system expansion, P2 – the newest hoist in ETC’s Prodigy® family – can go where other rigging systems can’t.
The compact, 130-kilogram* P2 fixed-speed hoist has a 300-kilogram load capacity and can be used as a complete system by itself, or it can be combined with larger hoists in a hybrid system. Using five millimetre lift wire rope, it offers 15 metres of travel with up to eight lift lines. ETC’s QuickTouch® and Foundation® families of rigging controllers are feature rich, yet intuitive and uncomplicated, and work seamlessly with P2, and all of the hoist solutions from ETC Rigging.
The revolutionary features and capabilities that set ETC’s rigging products apart from others are at work in P2. The P2 hoist can be installed with or without ETC’s unique compression tube, is engineered to fit into the smallest spaces without adding lateral loads to buildings, so venues that aren’t able to use other larger hoists will finally be able to access automated rigging. Additionally, loft blocks can be positioned independent of the building’s structural mounting points, and allows users to support the attached load in a manner best fitting the load, instead of the building.
Safety is at the heart of P2, which includes load cell, and slack line detection. It also has a self-locking worm-gear system to prevent accidents. P2’s control electronics are built into the hoist, and incorporate hard-wired deadman and E-stop circuits.
Thanks to its advanced features and design, P2 is easier to install and commission than most other hoists on the market. “It takes very little time to get P2 in place,” says ETC Rigging Product Manager Nils Becker. “A pair of technicians could install six fully-commissioned hoists in a single day. That saves venues on installation costs, and results in less disruption to a production or event schedule.”
Adding additional hoists to a P2 system or upgrading existing hoists is also a simple process. “Rigging systems from other manufacturers often require significant control and wiring changes to add hoists, but ETC systems don’t,” explains European Rigging Sales Manager Enrico Nobile. “The faster installation and compatibility of our system components results in cost savings for our customers.”
For more information about P2 and all ETC Rigging systems, visit www.etcconnect.com.
Sustainable lighting solution for the Martin Harris Centre for Music and Drama
Situated at the heart of The University of Manchester’s campus, the Martin Harris Centre for Music and Drama recently underwent a significant refit, including the installation of a state-of-the-art, energy-efficient production lighting package, featuring a control desk, LED luminaires and power controls from ETC, and auditorium lighting from GDS, all supplied and installed by Stage Electrics.
An important arts venue for north-west England, the Martin Harris Centre offers students a fantastic space in which to study and perform, as well as hosting many professional musicians, performers and prize-winning authors. It provides an excellent space for contemporary and classic theatre, music and comedy events, and holds a reading series that has in the past featured such literary luminaries as Martin Amis, Will Self, John Banville and Clive James.
The project, which was made possible due to significant funding from the Faculty of Humanities, is part of a campus-wide initiative that supports the University’s commitment to environmental sustainability and saw a complete overhaul of the lighting in the venue’s Cosmo Rodewald Concert Hall and John Thaw Studio Theatre.
Longstanding supplier to the University, Stage Electrics was appointed to design, specify and install a complete lighting system for the two multipurpose facilities. Karl Spencer, the venue’s technical services manager, worked closely with Stage Electrics’ Rob Beamer and Karl Formstone to ensure the right solution was selected and installed.
“Energy efficiency was a driving factor in this project, but there were other points to consider too, like flexibility,” says Rob Beamer.
“The venue hosts a lot of classical concerts where maximum light levels are critical, whereas colour rendering and colour mixing capability is important for lighting dramatic performances, for example. For power controls, space was at a premium, so we had to bear that in mind too.”
The comprehensive solution, specified following extensive demonstrations between Stage Electrics and the University, includes an Ion® console with two fader wings; a Unison Paradigm® power control system; Sensor® dimmers with ThruPower modules; and an array of ColorSource® PAR, Source Four® LED Series 2 Lustr® and Daylight HD fixtures and a comprehensive state-of-the-art house lighting system from GDS.
Rob Beamer adds: “We put a lot of time into getting it right. The challenge was to deliver a versatile, energy-efficient lighting solution to maximise the experience for both performer and audience, without compromising on quality. And I think we have succeeded.”
Karl Spencer, the Martin Harris Centre’s technical services manager said, “As part of this extensive lighting project, our spaces have been converted to energy-efficient LED, for both lighting performances and house lighting. The end result is excellent and our performers and audiences alike are already enjoying the improved lighting. The installation offers us a flexible, efficient and sustainable lighting solution which underpins the University’s environmental sustainability strategy.”
ETC prepares for Prolight+Sound
Germany – ETC is powering up to demonstrate a selection of its latest and most popular lighting and rigging solutions at this year’s Prolight+Sound, taking place in Frankfurt from 4–7 April. ETC representatives from around the globe will be available to answer your questions regarding lighting control, luminaires, rigging and complete system solutions, in hall 3.0 on stands E47, E51 and F51.
Hall 3.0 – Stand E51
Visit stand E51 to see the recently launched Gio @5 console. This lighting desk brings the acclaimed, professional-grade control of the Eos Ti® and Gio® consoles within reach of users with tighter spaces – and tighter budgets. Receive a demo using the Gio @5, another Eos-family console, or Cobalt Wings, and see in action a selection of ETC’s Source Four® LED Series 2 luminaires. The Lustr® array, with its x7 Color System, provides the brightest light in the colours you use most, and the Daylight HD and Tungsten HD can be tweaked to perfectly illuminate individual skin tones. Additionally, you can see the Irideon FPZ, a fixture that pairs the best of the Source Four Mini LED platform with exceptional output and a sleek industrial design to light spaces with elegance and subtlety.
Hall 3.0 – Stand E47
On stand E47, product specialists will show you all the features of the entire ColorSource family of products. Developed for those with limited budgets who want a complete, high-quality LED lighting system with plug-and-play setup, the family includes ColorSource and ColorSource AV consoles, ColorSource® Spot, PAR and Linear fixtures, and ColorSource Relay and ThruPower power control solutions.
Hall 3.0 – Stand F51
Talk to the experts on stand F51 about ETC’s selection of cost-effective rigging solutions, designed with halls and smaller stages in mind. Explore the features of QuickTouch® and Foundation controls, and the latest Prodigy P2 hoist, which expands the possibilities of upper stage machinery systems. This is also where you can find the latest innovations in Unison Echo® and Paradigm® architectural control solutions, and the new Sensor3 TPSR app, programmed to enable you to identify and change the mode a circuit is set to – all from within the app.
Also on stand F51, don’t miss special guest Birgit Mörtl, a multiple world champion in bodypainting, who will be demonstrating the artistic connection between body, colour and light, every day of the show.
ETC Student Session
ETC will host one of its internationally acclaimed Student Sessions, on Tuesday 4 April at 5pm, in Forum Level C, Raum Substanz. The always-energetic event gives students an exclusive look into ETC’s unique culture, service philosophy, and product development, with the opportunity to ask questions, learn about employment opportunities and win swag. To attend the Student Session, pick up a ‘VIP pass’ at ETC’s registration desk on stand E51 during show hours.
For further information about ETC at Prolight+Sound 2017, visit etcconnect.com/About/Events/Tradeshows/Prolight2017/.
No mountain too high for ETC
The recently opened Banff Gondola Terminal represents quite literally a high point in lighting installations for ETC. Perched on a mountain peak with an elevation of 2,281 metres (7,486 feet), the four-storey structure gives visitors access to restaurants, bars, retail stores and stunning views of the Rocky Mountains. Brewster Travel Canada, working with a team of subcontractors, completed the 3,251 square metre (35,000 sq ft), $26 million reconstruction in 12 months. Video screens, reading panels and three-dimensional displays depict information of the park’s iconic flora and fauna, designed specifically to thrill and entertain the roughly 600,000 visitors who take the gondola annually, says Dave McKenna, president of Brewster Travel Canada.
Following a very “green” mandate from the end users, the entire facility uses ETC LED fixtures to create theatrical interior looks to match the spectacular exterior vistas. The project was not without its logistical challenges, as Michael Pyatt, of GES and project manager for the design team, explains: “We had to complete the install in three phases while the attraction was open to the public, and during the better weather months.”
With no access road, all the equipment had to make the eight-minute gondola ride to the oxygen-scarce heights, and – as opening day approached – the gondolas were running 24/7 to meet deadlines. Many of the bulkier pieces of gear had to be delivered by helicopter or in a specially enlarged gondola that could only be used outside of public opening times.
Pyatt’s previous experiences with GES, on their very successful touring exhibitions (Harry Potter and the soon-to-be-launched Avatar) were very much at sea level. He hired lighting designer Josh Starr whose background was exclusively in New York theatre and live events. “They wanted a theatrical twist on a permanent install, and I jumped at the opportunity,” says Starr.
Working only from renderings and photographs, his design uses ETC Source Four Mini fixtures and Selador Desire® D22 track-mount units. “I wanted to streamline the building, and these fixtures gave me the texture, colour and templates I needed for the job.” Because of Park Canada regulations on the exterior lighting of high-profile buildings, the design focused on the indoor retail, performance and interpretive spaces. After an initial contact with Warren Mays of Los Angeles-based ETC representative MPA, the sale was handled by Christie Lites’ Calgary office. Comparing this project to lighting a Broadway show, Starr says: “In the theatre, you get the electrician to move a light a few feet and it’s no big deal. In buildings, you are part of a huge team, where if you don’t plan ahead, you will have to live with your mistakes.”
With approximately 150 D22 LED luminaire packs, 100 Source Four Minis and 150 GDS ArcSystem Pro One-Cell fixtures, the Unison Paradigm®-controlled system has an amazingly small, three-phase, 25-amp power requirement.
ETC service technician Tyler Martin, who worked through Field Service CA, explains: “The whole building is automated for convenience using Paradigm control and the astronomical time clock feature.” At 7am as the sun is rising over the Rockies, the lighting system executes its early-morning look and at the end of the day, as the guests dine in the fading light, another cue dims fixtures that reflect on the glass surfaces to create an unimpaired view of the scenery.
Starr makes full use of the colour palettes in the Paradigm controller to “make the images pop.” Foliage breakups in the Source Four Minis add to the displays depicting Canada’s natural majesty. Unison racks drive the Source Four Minis, sconce lights, relay switches, and house, emergency and décor lighting. In another ‘first’ in this remarkable installation, a GDS ArcSystem is running wirelessly at 2,500m (8,200 ft) above sea level.
Despite its tiny power requirement, the building is well-prepared for future expansion as it gains popularity as one of Canada’s premier tourist destinations. The lighting tracks are powered but not fully populated, and each floor has extra nodes and push-button stations to allow for additional fixtures. “We are using about 1,500 channels of control, but have the mains power and control capability to add more universes in the future,” adds Tyler.
Despite “challenges associated with a project being on top of a mountain,” Michael Pyatt and the entire design team are more than ready to take a deep breath and move onwards, if not upwards.
Written by Marshall Bissett. Photos courtesy of Tyler Martin.
ETC products are available from any of our authorized ETC Dealers.
ETC exhibits at ISE 2017
Integrated Systems Europe, often referred to as ISE, is the largest AV systems integration show in the world. In 2017, the annual four-day event takes place from 7th February to the 10th February at the RAI Convention Centre in Amsterdam.
ETC’s booth at ISE 2017 will be packed with lighting solutions designed to meet the diverse needs of any installation. ETC employees will be on hand to answer your questions, discuss your project requirements, and demonstrate a selection of equipment, including:
Designed as a new way of thinking about building control, ETC’s visionary Unison Paradigm® system fuses architectural lighting control advances with entertainment lighting-control technology. ETC brings its award-winning expertise in both areas together to give you the best of both worlds.
Paradigm delivers a new level of comprehensive control – sophisticated facility-lighting and building systems integration. And it does so with unprecedented flexibility and simplicity: a green-minded energy management system that capitalises on daylight-harvesting, occupancy sensing and time schedules for maximum electricity and budget savings, combined with a deep library of lighting fixtures (LEDs, moving lights, and more) for dynamic effects, plus the power to speak fluently to different devices from different manufacturers over the same control system.
The Unison Paradigm family of products includes powerful software, elegant touchscreens, wall stations, modular control electronics, dimming and control enclosures, and accessories to offer the most customisable and people-friendly control systems available. Paradigm addresses the whole space – bringing the beauty of well-controlled light in line with today’s environmental concerns and real-life needs. Restaurants, hotels, casinos, schools and universities, museums, houses of worship, office buildings, and conference centres – Paradigm scales to all.
Making its international debut at ISE is the new portable version of the popular Irideon FPZ luminaire. The fixture pairs the best of ETC’s popular Source Four® Mini LED platform with exceptional output, flexible zoom optics and a sleek industrial design to light your space with elegance and subtlety. Available for use with Eutrac® three-circuit track with data, the feature-rich design is perfect for museums, lobbies, and retail environments.
Irideon FPZ boasts its own set of enhancements such as lockable 3-plane shutters, zoom optics, and the ability to dim using either remote DMX control or a local dimming knob located on the track adapter. FPZ puts out over 800 field lumens, with a wide selection of colour temperatures. This luminaire is fully convection cooled for fan-less operation and is available is a variety of colours, including custom options.
FPZ gives you the versatility you need to create the beautiful light you want from an integrated, unassuming design that won’t dominate your space.
To assimilate all of the different devices that a lighting system requires, ETC offers a range of networking solutions that ensure problem-free installation and smooth operations.
ETC pioneered Ethernet-based networking in entertainment-lighting systems, with the power to transmit DMX, video and remote-focus data on a single wire. ETC’s Net3 suite, powered by ACN (Architecture for Control Networks), goes beyond that, providing an open network with the highest degree of reliability and streamlined system control for greater flexibility and efficiency. And with the company’s leadership in the development of the ANSI standard for ACN, it continues to innovate in entertainment and architectural control using Ethernet-based protocols.
The ColorSource family of products was developed for those with limited budgets who want a complete, high-quality LED lighting system with plug-and-play setup. The newest additions to the ColorSource family are the portable ColorSource control desks, which are available in two sizes with optional audio visual capability, and provide hands-on control with the ability to run effects, mix LED colours, control moving lights and play back cues – all with the flick of a fader. The ColorSource® Relay can wirelessly switch power and transmit DMX and RDM to hard-to-reach places. And the ColorSource® Spot, ColorSource® Linear and ColorSource® PAR luminaires can create bright light with the broadest colour gamut possible from a four-colour LED, thanks to their unique RGB-Lime emitter mix.
The Gio @5 lighting control console, brings the acclaimed, professional-grade control of the Eos Ti® and Gio® consoles within reach of users with tighter spaces – and tighter budgets.
This portable console packs all the control necessities into a compact footprint, so external monitors and accessories are optional. With an articulating, 17-inch, multi-touch LCD display, five definable and page-able motorised faders and a master fader pair, Gio @5 is the perfect step up for Ion® users who want expanded hands-on access to playbacks, colour control, touchscreen Magic Sheets and more.
The console features the same full-function, backlit keyboard as the Eos Programming Wing and Gio console, providing an easy transition for experienced Eos users looking for a smaller desk – and a good platform for new programmers looking to gain professional skills that scale up.
For further information about ETC at ISE 2017, visit etcconnect.com
Special ETC controls bundle available for students and teachers
Lighting is a hands-on business, but the latest technology is often out of reach for students. To address this issue, ETC is offering a special lighting controls package exclusively to students and educators. The ETCnomad Student Package, now available from ETC dealers, allows students and teachers to purchase a 512 ETCnomad software key and a Gadget II USB to DMX/RDM interface for the usual price of just the Gadget alone.
The software key unlocks fully-functioning, professional Eos® software for Mac or PC, while the Gadget allows a computer to output two universes of DMX to the rig. Armed with a laptop and these small-but-mighty devices, students can hone their skills, supplement the equipment at their schools, colleges, universities or local theatres, and go out into the world with their own, portable ETC lighting control system.
This global offer extends to primary, secondary and university-level students and teaching staff and to individuals in apprenticeship or internship programs. To qualify for the Student Package, students and educators must submit a completed application form and a copy of a student ID or other proof of current enrolment or employment to their local ETC dealer or distributor. The offer is open to students of all ages, though minors require a parent or guardian to sign off on the order form.
As part of the order process, students are encouraged to register for a free MyETC account, which grants access to an online dashboard of video classes, notification of local training events, end-user forums, and technical information about ETC products. Once purchased, the ETCnomad Student Package never expires. Students can continue to use the bundle – and expand the software – post-graduation as they establish their professional careers – with ETC’s technical community there to support them.
Please contact any of these
Authorized ETC Dealers for more information:
Prosound creates heavenly illumination with ETC at the Market Theatre
A heavenly lighting effect has been created for the current production of The Dying Screams of the Moon at Johannesburg’s Market Theatre. The unusual solution features a series of unique, handcrafted gobos, and ETC Source Four® LED lighting fixtures supplied by Prosound.
Forming part of the venue’s 40th anniversary celebrations, the play runs from 28 July to 21 August. It marks the first time collaboration of theatre legends Zakes Mda and John Kani, and is set to become a part of theatre history.
The play features an all-female crew and creative team, including award-winning specialists in lighting, costume, set design, production management and marketing. This celebration of women coming together is a memorable event that will appropriately play for much of South Africa’s Women’s Month.
The Dying Screams of the Moon is about two women who meet at church, a place of solace, where they seek inner peace from their troubles of the past. Set in post-apartheid South Africa, it reveals the struggles for land ownership that are still relevant today.
In order to create the majestic stained glass window effect, the church setting called for specific lighting. However, the restricted budget of the play meant that a glass gobo was not an option and it was necessary to devise an alternative solution.
Nomvula Molepo, head of lighting at the Market Theatre, was keen to use ETC Source Four LED luminaires to help realise her vision, and contacted Prosound for assistance. Ian Blair, Prosound’s GM of lighting and structures, offered to supply Nomvula with the fixtures. He also sent Prosound’s lighting specialists, Mac Makhobotloane and Jannie de Jager, to assist with creating the effect that was required.
“The service was awesome! Mac and Jannie brought a variety of fixtures to experiment with in order to achieve the effect I was looking for,” said Nomvula. “We tested the fixtures to see if I could get the desired effect. Then, Mac suggested that I get steel gobos, cut small pieces of gels and paste them onto the gobos. Mac and I tested one fixture and it worked like a dream!
“I’m very grateful to Prosound for supplying the fixtures. And, I’d particularly like to thank Mac and Jannie for all their effort, time and support in assisting me with making the lighting work for the production.”
The ETC Source Four LED fixtures were not only able to capture the look Nomvula wished for, but they were also easy to operate. “I would definitely consider using the fixtures on future productions,” she said.
Thanks to Prosound and ETC, the church scenes in The Dying Screams of the Moon are bathed with the magnificent and divine illumination of stained glass windows.
ETC ColorSource shines at Edinburgh Fringe
Every August, the world’s largest arts festival, Edinburgh Festival Fringe, takes over Scotland’s capital. Thousands of performers take to hundreds of stages to present shows for every taste. C venues is back for its 25th year, creating and curating more than 20 theatre, performance and exhibition spaces at pop-up venues in and around the city centre. This year, C venues’ visiting designers and technicians are using some of the latest products from ETC for a vibrant and packed programme of theatre, circus, cabaret, musicals, dance, comedy and children’s shows.
“ETC has been supporting C venues for a number of years, allowing us to improve the capability of our venues and exposing ETC products to young, up-and-coming theatre companies and technicians,” says Richard Williamson, head of production, C venues. “ETC has a long reputation for producing well-built, reliable equipment and providing an exceptional level of technical support; and we are thrilled to be using the new ETC ColorSource consoles and lanterns.
“The consoles are a great addition to the market and are perfect for our smaller spaces. We have long been looking for a lighting desk which people new to the industry can quickly and easily pick up and use. We’re excited about the possibilities that the ColorSource consoles give us. They fill an underserved niche in the market for a truly intelligent console for smaller venues.”
To equip the festival’s larger spaces, C has added to its existing stock of ETC Eos® family consoles, supplementing its Ion® desks with Ti and Element consoles. Notably, a Ti is situated in the largest theatre, C scala, controlling a number of high-profile shows including Tipping Point by Ockham’s Razor; Fringe favourites The Rat Pack Live; and the all-male a cappella group All The Kings Men. “The Eos range is the de facto industry standard console so we couldn’t imagine using anything else for our bigger venues,” says Williamson.
Additionally, the issue of heat generated by conventional tungsten fixtures has long been a challenge for C venues. For several years, the company has been looking to move its lighting rigs towards LED to help combat this. This year, several venues are benefitting from the installation of ETC ColorSource fixtures that – as well as their low heat output – are recognised for producing a richer, more natural light output than other LED fixtures at such an accessible price point.
“While LED units have been on the market, we have struggled to find any that properly give the level of control and colour rendering that tungsten offers. The new ColorSource LED fixtures are perfect for our needs and, used alongside ColorSource consoles, we are now able to look to significantly expand our use of LED,” says Williamson.
Hartley T A Kemp, C venues’ artistic director, concludes: “ETC’s support to C venues is invaluable as it enables young designers and technicians the chance to work with the latest kit, developing their skills and experience.”
To learn more about ETC products and services, visit www.etcconnect.com.