ApexPro is thrilled to announce our appointment as the distributor for Netgear’s AV range of network switches in South Africa. Netgear AV switches are the fastest-growing platform in Audio/Video over Internet Protocol (AVoIP). Best known for creating user-friendly configuration profiles for the most recognised end-point hardware manufacturers.
Modern Unified Communications and Systems Integration require high bandwidth and Power over Ethernet (PoE) capabilities. Netgear AV switches are purposefully designed to handle the heavy lifting these systems demand. It provides reliable and efficient solutions for various applications with the setup of a predefined networking profile.
Netgear is a leading company in the networking industry, renowned for its innovative products that enable seamless connectivity and communication among devices. They produce high-quality networking equipment, including Wi-Fi routers, switches, and other devices that facilitate robust and efficient network infrastructure. Netgear’s products are designed to meet the needs of both residential and commercial environments.
The Netgear AV range of network switches is specifically designed to meet the demands of AVoIP applications. This range offers the reliability and efficiency needed for modern communication systems, making it an ideal choice for various industries.
ApexPro’s extensive distribution network is utilised in this strategic alliance. It also leverages the years of networked AV intellectual capital within our sister company Prosound, and the network support and training expertise from AV Worx. The Netgear AV range perfectly complements our existing brands, enabling us to provide comprehensive solutions for massive projects and diverse applications.
“Netgear and ApexPro had a meeting of minds and saw this as a strategic alliance,” says Brendan Venter, Sales Director of the Prosound Group. “This collaboration will enhance our ability to deliver top-tier AV solutions to our clients.”
Dwaine Schreuder from AV Worx added, “Dante & Netgear AV switches align perfectly with our networked AV push into the Unified Communications, Broadcast, and entertainment technology space. Netgear AV is like the digital glue that binds all of our strategic brands together. We are now Dante, AES67, and SMPTE-2110 ready.” This synergy will strengthen our position in the market and provide our customers with advanced networking solutions at a fraction of the cost compared to other AVoIP networking solutions.
With this new partnership, ApexPro is poised to lead the way in delivering high-quality audio & video networking solutions in South Africa. We look forward to a successful collaboration with Netgear AV. We are excited about the opportunities this partnership will bring to our clients and the industry.
For all your Netgear AV needs, make sure to reach out to ApexPro.
Contact Koketso Lamola as primary sales contact; koketso@apexpro.co.za or +27 78 682 9649
In a harmonious partnership, Splitbeam, has chosen ApexPro for their audio needs. Splitbeam is the rental company behind the scenes of the current sensation, Mamma Mia! They have raised the bar yet again by integrating top-tier equipment into their arsenal.
Building on their dedication to delivering unparalleled sound experiences, Splitbeam has recently expanded their inventory. Concurrently, they now have a selection of Sennheiser and DPA equipment supplied by ApexPro. Among the additions and 16 dual-channel EW-DX receivers, 32 packs, and 4 additional handheld microphones. Completely kitted, they are consequently able to enhance their capability to cater to large-scale productions like Mamma Mia! with ease.
Joining forces with DPA Microphone, Splitbeam has already solidified their commitment to excellence. They have acquired 35 4061 DPA lapel microphones and 4 2028DPA handheld capsules. Evidently, this is the winning combination of DPA’s precision engineering and Sennheiser’s reliability. With unmatched clarity and fidelity, it captures every note; From the infectious melodies of ‘Honey Honey’ to the anthemic choruses of ‘The Winner Takes It All’.
“These miniature marvels,” Clifford Weilich from Splitbeam says, referring about the DPA4061’s, “have seamlessly woven themselves into the fabric for most of our audio productions. Moreover, the DPA handheld capsules have now increased the variety of options available in our rental market.”
Splitbeam decided to trust us with their sound needs for Mamma Mia!. This is a testament to the unwavering quality and performance of our products. Together with Sennheiser and DPA, we are effectively setting new standards for sound excellence in musical theatre.
Dante enables network audio capability and integrates with Sennheiser equipment. This further underscores Splitbeam’s commitment to innovation and elevating the audience’s audio experience to new heights. Behind every electrifying note and heartfelt lyric of Mamma Mia! lies the meticulous attention to sound. This is all made possible by the seamless collaboration between ApexPro, Sennheiser, and DPA Microphones.
“DPA has become a household name of ours,” Clifford also remarks, “due to their transparent and natural sound reproduction. Currently, Mamma Mia is using it as a Forehand Worn Microphone Solution. As well as using the DPA 2028 Capsules for the infamous Donna and the Dynamos.”
As audiences immerse themselves in the enchanting world of Mamma Mia!, they can rest assured that ApexPro provides unparalleled quality and reliability, enhancing every moment. Together, we continue to bring the magic of musical theatre to life, one unforgettable performance at a time.
In the world of sound production, finding the perfect combination of equipment can be the difference between a good show and an unforgettable experience. At ApexPro, we understand that it’s not just about the products. We know it’s about finding the right solutions to meet your needs. That’s why we’re proud to partner with Eastern Acoustics, a leading sound rental company. Delivering top-tier audio solutions tailored to your production needs.
ApexPro is not just a product-based company; we’re a solutions company. Our goal is to provide you with the tools and expertise you need to create exceptional sound experiences. Therefor we stand behind the winning combination of Sennheiser and DPA equipment.
Why this combination?
DPA microphones have earned renown for their dependability and uncompromising quality. Designed with precision engineering, DPA microphones capture every nuance of the performer’s voice, ensuring crystal-clear sound reproduction. Moreover, DPA microphones also excel in discreet placement and offer the ability to colour-match to skin tones. This ensures the seamless integration into any production. With DPA, you can conceal microphones without sacrificing sound quality, allowing performers to move freely without distraction.
As a result, people know Sennheiser wireless systems for their reliability and long battery life, for providing peace of mind during performances. With Sennheiser, you can trust that your equipment with perform flawlessly, form the first act to the final curtain call. The Sennheiser monitoring and maintenance systems are second to none. Consequently it allows for real-time monitoring and adjustments during performances. Sennheiser allows you to maintain optimal sound quality throughout your show, ensuring a uniform audio experience for your audience.
“They’re taking our audio experience to a whole new level with their top-notch performance and integration,” Clifford Weirich from Splitbeam noted.
This is why we delight in supplying Eastern Acoustics with 12 EWD’s, further enhancing their capability to deliver exceptional sound experiences. As a solutions provider, we commit to helping you achieve your vision. Whether it’s a musical production, a corporate event, or a live concert.
“We are thrilled to express our profound enjoyment of the Sennheiser EW-DXX Dante receivers.” says Cliffor Weirich. “As industry professionals, we appreciate their seamless integration, exceptional sound quality, and effortless operation. With the Built-in Dante Option, we can soundly monitor all 32 channels with the click of a button all while fitting in a compact tour friendly 10U flight Case.”
Elevate your sound experience with top-tier audio solutions from ApexPro.
In the world of theatrical production, the choice of sound equipment can make or break the experience. Where every note and whisper must reach the audience with crystal clarity. At ApexPro, we’ve long been champions of quality. Our enduring partnership with Meyer Sound stands as a testament to our commitment to excellence.
For years, Eastern Acoustics and Splitbeam, two esteemed rental companies, have relied on us to supply them with Meyer Sound equipment for their stellar productions. According to David from Eastern Acoustics, “Meyer is our go-to PA system for multiple different things, especially theatre.” This echoes the sentiments of countless professionals in the industry who trust Meyer Sound to deliver unparalleled performances night after night. For timeless classics like The Sound of Music to electrifying hits of Mamma Mia, Meyer Sound has been the invisible force behind the scenes. It ensures that every performance resonates with perfection.
What sets our collaboration apart is not just the sheer longevity of our relationship, but the remarkable durability and reliability of Meyer Sound’s equipment. Take, for instance, the Meyer Heritage M1D’s – the backbone of productions like LAMTA’s Spring Awakening. These workhorses, supplemented by Eastern Acoustics’ own M1D’s, have been faithfully delivering flawless sound since 2006. It’s a verification of Meyer Sound’s craftmanship that these older models continue to reign supreme in an industry constantly seeking the latest innovations.
But our partnership extends beyond just the classics. For productions requiring deep, resonant bass, we’ve supplied the powerful 700-HP sub bass units. For more nuanced soundscapes, the UPQ-1P and UPQ-2P speakers have provided pristine audio reproduction. While the versatility of the UPM, UPJ, UP-Junior, and UPA series ensure that every corner of the stage and auditorium is bathed in perfect sound. And let’s not forget the MM-4, a compact marvel that packs a punch far beyond its size.
The story doesn’t end there. The MICA system, a veteran on the stage, has faithfully served multiple runs of We Will Rock You – not just the 2022 run, but also in 2005 before that. From South Africa to the latest rendition, the consistency and quality of Meyer Sound remains unwavering. And let’s not forget the M’elodie, which currently finds it’s voice in Mamma Mia, proving once again that age is no barrier to excellence.
While the classics hold a special place in our hearts, we also embrace the future with open arms. Modern technology meets timeless performance in Meyer Sound’s new line up. The LINA, a marvel of engineering, has found its home at Artscape Theatre, enchanting audiences with productions like Calling Us Home and The Buddy Holly Story. Investing in Meyer Sound isn’t just about preserving tradition; it’s about embracing innovation and ensuring that the magic of live performance continues to captivate audiences for generations to come.
Whether it’s the comfort of the M1D’s or the crisp clarity of the LINA, one thing remains clear; Meyer Sound is more than just equipment – it’s the promise of perfection, a guarantee of greatness, and a melody that never fades. Join us in our journey as we continue to elevate the art of sound, one performance at a time.
European Leg Concerts Debut Massive PANTHER Line Array System
Metallica, a creative powerhouse lauded as one of rock’s preeminent bands, continues to break new ground with the dynamic, in-the-round production for the global, two-year “M72 World Tour” that recently kicked off in Europe. Throughout the tour, the band’s sound is immersing the entire audience — at full bandwidth across a broad stereo landscape — through a Meyer Sound system comprising a record 288 PANTHER large-format linear line array loudspeakers.
For decades Metallica concerts have been known for technical and artistic innovation, and once again the band and long-time creative director Dan Braun have moved beyond the old paradigms. Two concerts will be presented at every tour stop, with completely separate music sets for each show. The celebrated “snake pit” has been relocated inside a ring-shaped stage, requiring four drum kits for Lars Ulrich to rise up as needed. Also, the sonic field has been expanded to ensure a wide stereo spread of guitars and drums at every seat and standing point in the stadium.
“I’m always concerned about making all these new ideas work at scale, but we have great partners to rely on, not the least of which is Meyer Sound. So, I never let things like practicality and logistics inhibit the creative process.”
Dan Braun
Braun took his idea for the tour sound directly to company founders John and Helen Meyer, who captured his vision and assigned Director of System Optimization Bob McCarthy to design audio for the tour.
“I told Bob that my goal was to have full stereo sound at every point with no overlap, from the center pit to the nosebleed seats,” Braun continues. “We wanted everybody to hear the band as if with nearfield monitors, and I think we’ve come closer to that than ever before in a concert setting.”
Braun also credits the new PANTHER line array loudspeakers as a key component in realizing the ambitious concept. “The clarity of the system is breathtaking, and that combined with Bob McCarthy’s brilliant design is giving us a show that sounds spectacular.”
Crafting the Metallica sound from FOH is Greg Price, a veteran known for his long stints not only with hard rock legends Black Sabbath and Ozzy Osbourne but also for pop acts including “The Glee Show on Tour,” Hannah Montana/Miley Cyrus, and Chicago.
“We’re only a few shows into the tour and so far I’m very impressed,” says Price. “And I would have to say that I don’t think there is any other PA manufacturer in the world that could take on what we are trying to do on this tour.”
As for the massive PANTHER arrays, Price describes them as “a PA system that acts like a reference monitor, like an Amie or a Bluehorn in the studio. I’m hearing things in my mixing that I always knew were there but lacked definition. Now they are right in my face, and I can work with them.”
The gargantuan “M72 World Tour” system is deployed in three concentric rings. The outer ring arrays are suspended from eight towers, with two PANTHER arrays on each tower: 16 cabinets per array on the four long-side towers and 13 cabinets on the four short-side towers. Each tower also carries dual hangs of six-each 1100‑LFC low-frequency control elements and one set of six VLFC very low-frequency control elements.
The inner system, suspended from a web over the stage, has eight hangs of seven-each PANTHER line array loudspeakers, providing stereo coverage out to 42 meters from center. The “doughnut hole” in the stage center is covered by eight inward-firing UPQ‑D2 narrow coverage loudspeakers, while the outer side of the ring employs 20 ULTRA‑X40 compact loudspeakers as front fill. Ground sub-bass is powered by eight sets of 2x 1100-LFC elements around the stage.
The entire system is connected, controlled, and monitored over three MILAN AVB networks. One network connects Milan directly to all 288 PANTHER loudspeakers via 10 Galileo GALAXY 408 and two Galileo GALAXY 816 Network Platforms using a fiber network incorporating 26 Luminex Gigacore switches. The other two networks are primary and secondary networks for signal distribution and monitoring of the remaining analog Meyer Sound loudspeakers as well as providing redundant analog inputs to the PANTHER loudspeakers. The three networks comprise 52 Luminex switches and 35 GALAXY Network Platforms. Meyer Sound’s new Nebra software platform manages all network configuration, connection, and real-time system monitoring.
As yet another innovation, the “M72 World Tour” employs Meyer Sound’s Spacemap Go spatial sound design and mixing tool to a limited extent, but with stunning effect. As an intro to “One,” the rumble and roar of a four-engine vintage bomber circles the stadium with convincing reality.
“We had some people outside wondering if there was a real plane flying around in the stadium,” says Greg Price. “But Metallica is a straight-ahead band and not into trickery. The focus with spatial audio for Metallica is to enhance show content, remaining true to the band’s performance.”
The “M72 World Tour” is supported by Clair Global, and Price gives a tip of the hat to the company’s extraordinary logistical resources and depth of expertise. “We salute Clair Global for their tremendous effort in building the M72 audio systems,” he says.
Metallica’s “M72 World Tour” launched on April 27 and is scheduled for two European legs and two North American legs, wrapping up on September 29 of 2024.
The Genelec 8381A Adaptive Point Source Main Monitor system with Smart Active Technology empowers engineers and creators to perceive every sonic detail, offering true-to-life sound level and dynamics – with the full flexibility of free-standing monitor placement and advanced room adaption.
Interacting with our Genelec Loudspeaker Manager (GLM) software, the 8381A monitor system intelligently adapts its response to the monitoring room in the optimal way. This offers great flexibility to tackle even the most challenging environments – delivering precise presentation, including low-frequency reproduction that integrates perfectly with the complete sound content.
The 8381A has been engineered to deliver the complete audible content, with a response extending to frequencies beyond the standard audible range – and fully aligned in the time domain – it delivers precise understanding of all the minute details in recorded waveforms. With its high SPL capacity, the 8381A makes even very low-level details audible, creating an uncompromising tool for monitoring.
Tailored precisely to your room
Interacting with our Genelec Loudspeaker Manager (GLM) software, the 8381A monitor system intelligently adapts its response to the monitoring room in the optimal way. This offers great flexibility to tackle even the most challenging environments – delivering precise presentation, including low frequency reproduction that integrates perfectly with the complete sound content.
The 8381A has been engineered to deliver the complete audible content, with a response extending to frequencies beyond the standard audible range – and fully aligned in the time domain – it delivers precise understanding of all the minute details in recorded waveforms.
Imaging you can trust
Quickly arrive at the right mixing and mastering decisions through uncompromising imaging detail. The point source operating principle of the 8381A offers the unique advantage of maintaining precise sound colour and imaging at all listening distances, enabling exceptional freedom of placement, and removing the vertical sound colour change typical of larger monitors.
The carefully designed Directivity Control Waveguide ensures clean off-axis sound colour, reducing the impact of the reverberant sound in the monitoring room on mixing decisions, while improving the accuracy and reliability of monitoring work in all rooms.
Standing on the floor, the 8381 locates the soundstage at the natural listening height, while supporting traditional high main monitor positions with the included incliner system. This enables the acoustic axis to be optimally configured towards the listening position for all installation heights.
With its high SPL capacity, the 8381A makes even very low-level details audible, creating an uncompromising tool for monitoring.
