Every
year, users of
ETC’s architectural and entertainment control systems earn industry
awards for excellence. This year is no different. The Themed
Entertainment Association recently announced their 2019 Thea award
recipients, and ETC had a hand in a few of the Thea Award-winning
projects.
“We’re
so proud of our partners recognized with a Thea award this year,” said
Karl Haas, Architectural National Sales Manager
at ETC. “These winning projects are a testament to the diversity and
versatility of ETC’s products. We appreciate the design team’s trust in
us and will continue to work to produce lighting system solutions that
they can depend on and bring their customers
delight.”
ETC’s
Unison Paradigm and Mosaic, Sensor3 power control technology, and
Source Four LED Lustr+ fixtures were the behind the
scenes on several projects, helping other worlds come alive for
hundreds of riders, visitors, and passengers around the world. ETC
commends the innovative, imaginative talent of our partners recognized
this year.
Since
1994, the Thea Awards “bring recognition to achievement, talent and
personal excellence within the themed entertainment
industry.” In addition to recognizing industry luminaries and classic
parks, TEA gives Thea Awards for Outstanding Achievement (AOA) across
several categories. The awards will be given out at the Thea Awards
gala, April 13, 2019. A complete listing of 2019
Thea recipients can be found here.
ETC congratulates all the recent Thea recipients and is honored to be part of their success.
Five weatherized Electro-Voice EVH and EVF loudspeakers provide full-range coverage for 8,000-seat stadium
Dynacord C3600 amplifiers provide power, DSP and FIR-Drive speaker optimization for cohesive, full-range audio
Southwest Building Systems delivered cost-effective service with a single system design custom-integrated into two similar stadiums
“We’ve had nothing but awesome reactions from everyone. People are blown away by the sound. Now we can really get the place rocking, from the time the team comes out of the locker room and all through the game.”
When legendary Texas football coach Mike Spradlin joined Magnolia Independent School District in suburban Houston as Director of Athletics in 2016, he set about upgrading the football experience at the district’s high schools. Part of that plan was the installation of new video scoreboards and sound systems at both Magnolia and Magnolia West. Southwest Building Systems (Sillsbee, Texas) was engaged to design and install new sound systems at both facilities.
“Our old systems were just a few horns mounted on top of the press box. They sounded terrible, and music was out of the question,” says Robert Patty, Sports Information Coordinator for the district. “We wanted to create more of a college-type game day experience, to get the fans and players pumped up.”
The goal was to deliver full, even coverage in the bleachers, with clear, high fidelity sound quality for game announcements, music, and sponsor video commercials. Southwest Building Systems designed a PA system featuring long-throw Electro-Voice loudspeakers powered and processed by C Series amplifiers from EV’s sibling brand Dynacord. The same system was installed in both stadiums, which have virtually identical bleacher and scoreboard layouts.
The system is based on three EVH-1152D/43 coaxial loudspeakers, a two-way, horn-loaded design that delivers up to 139 dB SPL. This highly directional 40 x 30 version provides the tight dispersion required to deliver clear sound throughout the 8,000-seat venue. Two 1152s cover the home side of the field, with the third handling the smaller visitors’ bleacher section. Two EVF-2151D subwoofers provide low frequency support.
Power is provided by four Dynacord C3600 amplifiers, with integrated DSP and FIR-Drive to optimize loudspeaker performance (Dynacord amps are optimized for use with EV speaker systems). One is dedicated to each biamped EVH-1152D, while the fourth amp powers the two subwoofers. One interesting problem posed was the fact that there are no other buildings near the scoreboard. As Brent Thornhill, President of Southwest Building Systems, explains, “Normally we house the amplifiers in a nearby fieldhouse, but that was over 500 feet away. We wanted to put the Dynacord amps close to the speakers, so we came up with an outdoor-rated, climate-controlled rack room to put them in. We call it The Fridge.”
The speakers feature Electro-Voice’s fully weatherized design option, with fiberglass cabinets, powder-coated stainless steel grilles with hydrophobic mesh, and water-tight input panel covers. The loudspeakers are housed in an enclosure above the new video scoreboard, providing further weather protection while keeping them out of sight.
“We like to provide a sleek, integrated look to our end zone systems,” says Thornhill. “The enclosure has a special black fabric cover that blocks out the wind-driven Texas rain but doesn’t interfere with the sound. We printed them with the school logos, so they look like part of the scoreboard.”
As a final touch, the announcer’s microphone in the press box was outfitted with the Electro-Voice PC Desktop-18, a gooseneck design with sturdy, weighted steel base and selectable pick-up pattern from the PolarChoice range.
Fans, teams, coaches and administrators of both the Magnolia Bulldogs and Magnolia West Mustangs are impressed with the way things are sounding:
“We’ve had nothing but awesome reactions from everyone. People are blown away by the sound,” reports Robert Patty of Magnolia ISD. “Now we can really get the place rocking, from the time the team comes out of the locker room and all through the game. Our superintendent was there for the first game, and came over and told me, ‘Man, this sounds like a rock concert!’
It’s really brought our whole football program to a higher level, just like we hoped. We couldn’t be happier.”
Bosch has introduced LB20 commercial loudspeakers for indoor and outdoor use with a wall-mount system designed to save time. The compact loudspeaker series for installed applications includes 4-in, 5.25-in, and 8-in 2-way models with a matching dual-10-in subwoofer.
All LB20 models contain Bosch-engineered components and are suited to retail environments and hospitality settings such as bars, lounges, patios, pool areas and restaurants. They can also be used in conference and meeting rooms, fitness clubs, performing arts and sports venues and houses of worship. All models are paintable and IP54 certified for weather resistance; an IP65 weatherproof version is available for the 5.25-in loudspeaker cabinet and the subwoofer models.
The new wall-mount system allows and installer to attach the wall-mount, which has a built-in bubble level, and terminate the cables inside. It can then be painted for protection until construction is completed. The cover is removed and the pre-wired speaker with adjustable arm is slid onto the wall-mount and locked into place.
The What: Symetrix is used its appearance at Integrated Systems Europe (ISE) to debut a new version of Composer, its configuration software for Radius NX, Edge, Radius, Prism, and Solus NX DSPs. Composer 7.1 for Windows adds support for the Visionary Solutions PacketAV Duet video encoder and decoder, Symetrix T-5 Touchscreen controllers, and PD-1 Telco Dialer. A host of other software improvements makes system design and management more flexible.
The What Else: All programming and routing of Visionary Solutions PacketAV Duet
video encoders and decoders is now directly integrated within Composer
7.1. In addition, Composer indirectly supports select third-party
non-Dante encoders/decoders that use the same control protocol as the
Duets.
Like Symetrix ARC controllers, the T-5 Touchscreen can control every user-facing function of an installed AV system using Symetrix’s SymVue interface.
As with Symetrix DSPs, integrators can now manage any T-5 Touchscreen
from Composer, as each device has its own IP address on the network.
Composer 7.1 also supports the PD-1 Telco Dialer,
which lets meeting leaders dial remote attendees into conference calls
using a traditional telephone keypad rather than a touchscreen.
Composer
7.1 adds several workflow enhancements. Time/date and special character
export in the SymVue for Web interface is now present. New sizing
handles (horizontal, vertical, and a corner handle for sizing the entire
window at once) allow resizing of objects in control screens on the
fly. This and expanded design sheet sizes make it easier to optimize
installed systems for different remote-control scenarios, including T-5
Touchscreens, smartphones, and tablets.
A new crosspoint audio
delay is available in the Super Matrix for mono matrix modules. The Site
ID field has been increased to 65535 addresses, allowing different
groups of DSPs and other devices to coexist on the same network without
interfering with each other; two devices in different groups can use the
same remote controller number. For diagnostics and system design,
Composer 7.1 can now trace signal paths backward and forward
simultaneously. Editing of module channel names have been further
improved, featuring expanded copy-paste ability.
As in previous
versions, systems integrators can diagnose any device in a
Composer-designed system by simply launching a web browser and entering
the device’s IP address.
The Bottom Line:
All of the above features add up to an expanded universe of use cases
for Symetrix networked AV systems and let the installer scale systems to
meet clients’ needs quickly and efficiently.
Platinum selling vocal harmony stars The Overtones sold out concert halls across the UK when they set out on a 26-date tour at the end of 2018, accompanied by long-term front of house engineer Mark Clements. For technical production specialist Merlin PA Hire, the sheer variety of venues on the tour meant that the sound system had to be as flexible as possible while still delivering the clarity of performance required for the precise and detailed Overtones sound.
“The guys are very particular about what they want and for me it needs to be precise; crystal clear vocals and the ability to retain the character of their individual voices,” explains Clement, the band’s engineer for nine years. “It’s not a broad-spectrum EQ, it’s very defined for each performer and there’s a lot of time spent riding the faders.” Most importantly, Overtones shows are renowned for inspiring audiences to leap to their feet and dance in the aisles.
Delivering the all-important blend of versatility, performance and
power was an Electro-Voice X-Line Advance X2 line array system driven by
one of the first Dynacord TGX-20 amplifier set-ups to hit the road. In
choosing to use the already award-winning Dynacord TGX amps, Merlin PA’s
Neal Allen also adopted a fully OMNEO workflow for the tour, combining
Dante audio transport with OCA control.
“It was a leap of faith,” confirms Allen. “The TGX amps arrived two
weeks before we came away and this was our first time using OMNEO all
the way through, a fully Dante workflow. But everything worked
flawlessly.”
Depending on each venue’s size and load bearing capacity, Allen
specified a configuration to suit with a mixture of EV X2-212/90 and
X2-212/120 elements, plus XLE181 in-fills and front-fills and X12-128
subwoofers. Five Dynacord TGX-20 amps per-side were housed in the rack.
“When you’re preparing for a tour you need to think about the biggest
venue and the smallest venue and select a system that will cater for
both,” he says. “Truck space is always at a premium, so you need
flexibility in the speaker rig and the amplifiers. That’s what we get
with X-Line Advance and TGX.”
Mark Clements adds: “The X2 sound is crisp and precise. It also
throws for days and the detail is top notch. With the TGX amplifiers,
the headroom is a massive improvement and they sound great. They’re also
very easy to use, with the software everything is accessible in a
second.”
For the band, meanwhile, achieving what they call “the perfect sound”
in the auditorium means they can focus on their performance. “We
couldn’t do what we do without our technical team and without the
equipment they use,” reasons Lachie Chapman. “On our tour, every night
we have people up on their feet from the second song, literally every
night. I think that’s testament to the amazing sound that we have.”
The lighting and rigging specialist has unveiled several new products
Available
in black and white, ETC’s Relevé Spot provides a brightness of up 6,000
lumens, gobo projection with five rotating/indexing dichroic gobos, an
18–54° zoom range, an Ani-gobo break-up and effects wheel for beam
break-ups and fire, water and leaf effects, and a variable frost. It has
a colour temperature range of 2,700–7,000K, a gate size of 44mm and an
aperture size of 160mm.
The lighting and rigging specialist has
also unveiled two products that work alongside each other. Prodigy
FlyPipe is a compact, self-climbing hoist that reportedly requires
minimal structural support which, according to ETC, means users can add
lighting, sound systems and projection to spaces previously overlooked.
The hoist is described as safe to use thanks to its multiple built-in
safety features and is ideal for budget-conscious venues. FlyPipe can be
used in conjunction with ETC’s QuickTouch Preset to set equipment and
record its position. QuickTouch Preset allows users to walk into a space
and, with the single push of a button, have the room set and ready to
work.
ETC has also extended its Echo family with EchoTouch, a
compact touchscreen lighting controller that can act as an interface
into a standalone or integrated Unison Echo control system. EchoTouch
can also provide status and control of all Echo products and direct
control for DMX/RDM and sACN fixtures and devices. It mounts in a
standard 3-gang back box and is powered by PoE or 24DVC. The graphics on
the 7-inch screen reportedly support customised layout and naming for
any application.
The final new arrival from ETC is Foundry, a line
of DMX-controlled distributed power control products that include mini
panels, relay controllers, 0–10V controllers and phase-adaptive dimmers.
Foundry products are described as the perfect partners for Unison
Paradigm, Mosaic or any third-party DMX control system, helping users
create complete lighting and plug-load control packages that are said
provide advanced energy-saving features and meet stringent energy codes.