fos/4 adds the perfect emotion to Hong Kong productions
ETC fos/4 series fixtures are the new luminaires from the legendary lighting manufacturer dedicated to the studio and broadcasting market. Malo Ma, a young and budding gaffer in Hong Kong, has used fos/4 series in various video productions to great effect.
fos/4 Panel was used in a recent music video production sung by a rising female Hong Kong singer. Malo led the lighting of this video production where he had the opportunity to put the fixtures through their paces.
The music video portrays how the singer pulls herself together from failures and challenges. fos/4 Panel Daylight HDR (8” x 24”) was put to use in a few shots in this music video where Malo capitalized on the excellent colour rendering. “The colour is very natural. I like how the colour-mixing with deep red LEDs makes the skin colour tone and other scenes look real and delicate,” commented Malo Ma.
“The lightning strikes effect is surprisingly real. It flashes naturally and makes the mood of the scenes better especially highlighting the complicated feeling in this song,” added Malo.
Because of the good experience using the fos/4 Panel, Malo added fos/4 Fresnel to his gear list when he was preparing for a fashion video production. In this picture, Malo and his team were adjusting the color, angle, and brightness. “The brightness is good. And I like the intuitive and simple UI with the four backlit encoders, making it easy to change colour and other settings quickly and accurately,” commented Malo.
Malo and his partner, Hero Pun, set up their own business, Come Roll Media Limited, in 2013 focusing on movie production and equipment rental. The young entrepreneurs are professionals from the filming industry and now expanding their reach to TV commercials, music videos, events, post-production, and more.
The music video that has ETC fos/4 Panel as part of the gear: https://youtu.be/-DZd0CF13nI
Learn more about Come Roll Media Limited: http://www.comeroll.com.hk/
WANT TO EXPERIENCE FOS/4?
Contact anyone of our Re-sellers for more information and to organize a demo. Click the link below to see ETC dealers for Southern Africa.
WANT MORE INFO ON FOS/4?
SOLAFRAME – MEET THE SOLASERIES: PART 1
Welcome to part 1 of our in depth look at High End Systems’ SolaSeries Moving Head Fixtures. Today we’re taking a deep dive into the SolaFrame family of fixtures,
High End Systems have been in the game for a long time, and they’ve used that experience to come up with some of the most complete and feature-rich fixtures on the market. When you add ETC’s world-renowned optics and colour technology the result is a series of fixtures that go above and beyond your normal moving head.
THE SOLAFRAME FAMILY
With the most advanced and complete line of LED framing fixtures on the market, SolaFrame features full-frame, four plane shutters engineered for accuracy and speed. The SolaFrame family also includes the optical effects package from the SolaSpot series, including CMY color mixing, linear CTO, fixed color wheel, fixed and indexing gobo wheels, sophisticated animation effects, prism, iris and frost. All fixtures are available with either Ultra-Bright engines for maximum lumens or High Fidelity engine for high CRI and superior color rendering.
Designed to be feature rich and precise, SolaFrame has the right product for every size and type of application. From the compact SolaFrame 750 to the arena ready SolaFrame 3000 to our award-winning silent fixtures, this family set and raised the bar for sheer output and quality of light, color control and mind-blowing visuals.
SOLAFRAME 750: DYNAMITE COMES IN SMALL PACKAGES
SolaFrame 750 is the most compact framing fixture in the Sola Series family. Featuring a small footprint but a huge feature set, the fixture is a perfect fit for small to medium-sized venues, and its 11,300 lumens can easily cut through the competition. SolaFrame 750 is available in Ultra-Bright and High CRI versions and offers the widest array of effects currently available in a fixture of its size, including full-curtain framing shutters, 6°–50° zoom, rotating gobo wheel plus fully continuous animation, iris, prism, and frost.
With the right blend of features, performance, and size, SolaFrame 750 has been specified extensively for use in nightclubs and retail installations, studio and film, Houses of worship, performance venues, cruise ships and themed entertainment venues. Modular construction makes SolaFrame 750 easy to service, and it’s backed by the best LED engine warranty and 24/7 customer service in the industry.
SOLAFRAME 1000: EVERYTHING YOU’LL EVER NEED
SolaFrame 1000 is the go-to workhorse automated framing fixture for lighting designers. With 20,000 lumen output, full framing shutters, rotating and fixed gobo wheels, multiple color systems, 12°-40° zoom, animation effects plus all the bells and whistles required by the modern LD, the SolaFrame 1000 is a star performer in all professional production environments.
Available in Ultra-Bright and High CRI versions, SolaFrame 1000 ships with a TM-30 Filter that boosts the Ultra-Bright engine to 85+ CRI. Other features include Iris and Light Frost, Rotating Prism, and our patented Lens Defogger System.
The SolaFrame 1000 is guaranteed to add a set of powerful tools to any venue’s inventory while giving rental houses the perfect go anywhere, do anything fixture.
SOLAFRAME 3000: RIDICULOUSLY BRIGHT, BEAUTIFUL LIGHT
The award winning SolaFrame 3000 combines unprecedented light output from its 1000 watt Ultra-Bright White LED engine with a limitless palette of effects and color possibilities. Engineered for the largest lighting applications, the fixture’s 37,000 lumens exceed the output of powerful arc lamp fixtures, while simultaneously offering the many advantages of LED technology such as long engine life. The fixture is also available in a High Fidelity version with incredibly accurate color rendering.
SolaFrame 3000 is designed for use in arenas and stadiums, concert halls, broadcast studios, churches, and other large-scale events. The fixture’s color control, precise framing, projection and animation effects, versatile zoom range, and other features have made SolaFrame 3000 a popular choice for designers, production companies, and permanent installations alike.
- Ultra-Bright White LED Engine
- 1000W Ultra-Bright engine produces 37,000 field lumens or High Fidelity Engine with incredibly accurate color rendering
- CMY/CTO – Linear color mixing system
- 7 position replaceable Color Wheel
- Framing system for total control of beam shaping
- Iris, Light Frost, Prism and 7°-55° Zoom
- 7-position plus open interchangeable Gobo Wheel
- 7-position plus open Rotating Gobo Wheel
- Continuously Variable Animation Wheel
- TM-30 Filter Boosts Ultra-Bright Engine to 85+ CRI
SOLAFRAME THEATRE & STUDIO: WHISPER QUIET
The lighting industry’s first automated LED fixture to offer completely silent operation, SolaFrame Theatre is engineered with no fans and features a high CRI Bright White LED engine. A natural fit for use in theatres and other venues where noise is not acceptable, SolaFrame Theatre has seen phenomenal success in venues worldwide.
SolaFrame Theatre features 15,000 lumen output, smooth full-frame shuttering and a wide zoom range. With fixed and indexing gobo wheels, Animation effects, prism, iris, and frost, it is also extremely feature packed. The convection cooled luminaire features modular construction, extremely low power usage and other innovations such as our patented Lens Defog system.
Like its bigger sibling the SolaFrame Theatre, the convection cooled SolaFrame Studio prioritizes high quality features, beautiful spectral output and silent operation. The fixture’s 10,000 lumens and full curtain framing are a perfect fit for theatres, concert halls, opera houses, film/TV broadcast studios and houses of worship. With a feature set designed for exquisite projection control and gorgeous color rendering, SolaFrame Studio can quietly steal the scene.
With a wide zoom range, rotating gobo wheel, Animation effects, prism, iris and frost, SolaFrame Studio is also feature packed. The convection cooled fixture features modular construction, extremely low power usage and other innovations such as our patented Lens Defog system.
SolaFrame Theatre Product Features
- Bright White LED engine
- 440 W High CRI engine produces 15,000 field lumens
- Fanless, silent operation
- 540° x 265° movement
- CMY / CTO- linear color-mixing system
- 7-position replaceable Color Wheel
- Framing system for total control of beam shape
- Light Frost
- Linear Four-facet Prism
- 7°-42° Zoom
- 8-position plus open interchangeable Gobo Wheel
- 7-position plus open Rotating Gobo Wheel
- Continuously Variable Animation Wheel
SolaFrame Studio Product Features
- Bright white LED engine
- 300 W High CRI engine producing 10,000 field lumens
- Color-matched convection-cooled engine for completely fanless operation
- High quality 13-lens optic system with patented Lens Defogger
- Extremely powerful 5.5 – 57° zoom
- CMY / CTO-Linear color mixing system
- Seven position plus open replaceable Color Wheel
- Full-curtain framing system for total control of beam shaping
- 16-blade iris for extremely tight beam effects
- Light diffusion with additional, optional heavy diffusion
- Seven position plus open Rotating Gobo Wheel
- Linear Prism for controlled pattern replication across a stage
CHECK OUT INDEPENDENT TEST RESULTS FOR THE SOLAFRAME STUDIO & THEATRE
World-renowned acoustics specialists Müller-BBM in Munich have tested SolaFrame Theatre and SolaFrame Studio.
Their independent reports demonstrate just how quiet this fixtures is. Download the reports and see for yourself.
WANT TO EXPERIENCE THE SOLAFRAME FAMILY?
Contact one of our Re-sellers for more information and to organize a demo. Click the link below to see ETC dealers for Southern Africa
WANT MORE INFO ON HIGH END SYSTEMS SOLASERIES?
Introducing Element 2, Irideon WLZ, and ColorSource Pearl
Introducing the Element 2 console and a new Eos family brochure
The new Element 2 console brings a significant hardware upgrade to the hands-on, entry-level desk, including an updated keyboard layout that matches the rest of the Eos® family.
The Element 2 console will require the upcoming Eos v2.7 software, which is anticipated to release within the next month. Once the new console begins shipping, the classic Element console will be retired and supported as a Legacy product.
A new Eos family brochure is also available in multiple languages. It can be obtained via download or literature request.
For more information, visit the Element 2 product page.
New architectural wash light from ETC
The Irideon® line of architectural fixtures from ETC features exceptional light output and a sleek, unassuming industrial design that blends in with any space. The newest addition to this family, the WLZ or, Wash Light Zoom fixture, is no exception. This feature-rich design is ideal for museums and retail environments.
Similar to the other fixtures in the Irideon family, the WLZ is available in a variety of colour temperatures ranging from 3000 K to 5000 K, and three mounting variations; Track mount, portable. and ceiling canopy.
The most innovative feature of the WLZ is the built-in rotating zoom adjustment at the rear of the fixture housing. This enables beam angle adjustment within an impressive range of 9-78 degrees. The zoom position markers on the fixture make fixture-to-fixture referencing quick and easy.
Shipping of the Irideon WLZ will begin in May.
Click here to watch the short video on the many benefits and features of the Irideon WLZ.
ColorSource Pearl: the many colours of white
ColorSource Pearl is the newest array for our ColorSource® line of fixtures. Available for the Linear, PAR, and Spot, Pearl is a variable, white-light option that can be tuned to output white light anywhere between 2700K and 6500K.
And because it is part of the ColorSource Family, the Pearl array includes the same great feature set and high quality construction as its full colour siblings including an impressively bright output, a simple user interface, and a price point that is tough to beat.
Designed for installations that depend heavily on white light such as studios, houses of worship, and architectural installations, this array features flicker-free operation and an impressively smooth dimming curve.
Click here to watch the product video and find additional information.
ColorSource Pearl fixtures will begin shipping in May.
Contact us or your nearest ETC Dealer for more information on ETC products.
Historic Tallinn theatre chooses ETC
Built in the 14th century, the unusually shaped Hobuveski building in Tallinn, Estonia originally served as a mill and was later used for storage. In 2003, the circular structure was converted into a theatre and events venue, and has since become recognised as one of the most extraordinary theatres in Europe. A recent refurbishment saw the installation of state-of-the-art technology, including a Gio @5 console, ColorSource luminaires and Sensor3 power control from ETC.
Until recently, the 140-seat venue relied on makeshift solutions for performances. With no real infrastructure, changing from one production to another involved building a new, temporary lighting and sound system, almost every time. In 2017, the Hobuveski received the investment and permission it needed to proceed with a major refurbishment. The revamp included a much-longed-for permanent installation of lighting and audio equipment.
The renovations were undertaken as part of a Green Theatre Programme and were designed to meet the latest energy efficiency guidelines. Unsurprisingly, emphasis was placed on LED lighting. The package selected comprised around 95 per cent LED luminaires, including 12 ColorSource Spot fixtures from ETC. Although dimmers were not required for the LED solution, the venue personnel were keen to retain the option of using tungsten fixtures for some productions. This led to the addition of an ETC Sensor3 power control system, with ThruPower modules, capable of accommodating all loads – tungsten, LEDs, arc-source movers, and the unknown.
“The decision to use ETC’s ThruPower modules with dimmer and relays offers the option to switch freely between dimmer and hard power,” says Kalle Karindi, from OÜ Focuspoint, the ETC dealer involved in the installation. In addition to saving time and simplifying the day-to-day operations for the theatre technicians, the solution offered further advantages. “If you consider the expense involved in having separate dimmer and relay racks, including the extra cabling and labour, versus the Sensor3 solution, the cost is comparable,” adds Karindi. “Furthermore, the electrical company said it saved at least a week of installation time for everyone involved in the project.”
ETC makes the news at Fox Studios
The Los Angeles Bureau of the Fox News Channel has seen its share of rising and falling news personalities but a constant star is ETC.
The small studio in Culver City serves as the Left Coast broadcast centre for several prominent US TV presenters, including Laura Ingraham, Sean Hannity and Geraldo Rivera. In the late 80s and early 90s it was the home of the late-night talk show, The Pat Sajak Show. In 2017, the stage underwent a complete overhaul – out with the wood-panelled look in favour of a Plexiglas and stainless steel design with a curtain track backdrop that can switch from night to day faster than you can say “breaking news.” With its unusually high ceiling and excellent acoustics, the stage is now home to The Next Revolution with Steve Hilton Sunday night broadcast.
The revamped set design came with a much-needed new lighting package provided by 4Wall Lighting’s Los Angeles office. Lighting Director Eric Reinig and his counterparts in New York specified a mostly ETC LED system. “It only made sense to go LED, for the flexibility and the reduction of heat onstage and the running costs,” says Reinig. “The old rig of standard 1K and 2K fixtures and old Strand gear was well past its prime.”
The new rig features 32 ETC Source Four LED Series 2 fixtures with Lustr arrays and a range of lenses (19, 26 and 36 degrees), serving as the new key lights for the talent and colour washes on the scenic panels. A few classic Source Fours are used as specials, powered by an ETC 24-channel Sensor3 dimmer pack. “Even though we have to colour correct them to 4300 degrees, the conventional fixtures give me a softer look. But you can’t beat the Lustrs for flat field and coolness to the touch.”
Describing the change in lighting control, Reinig jokes: “We went from a ‘baby starter’ two-scene, preset to an ETC Ion 1500 with a 2×20 Universal Fader Wing.” The learning curve more than paid off in the ability to set up pre-programmed looks for Fox shows and any incoming rentals. The nearby Fox Sports One/Fox Deportes studio, where Reinig is also an LD, uses an Ion console.
Reinig’s career path was equally transformative. While he worked in construction, he maintained an interest in photography and operated a DJ company with several DJs and mobile systems for private parties and nightclubs. When he was injured on a construction job, he went back to school – first to Moorpark College, followed by a degree in cinematography at California State University, Northridge. “I was lucky to have a friend at Fox who let me play with equipment and learn the gear – I also was also an apprentice with cinematographer Bill Bennett (a member of ASC) and fell in love with lighting.”
Today Reinig uses studio down time to experiment with new lighting looks and get deeper into the workings of the Ion. Pointing out the extremely long top hats on the Lustr fixtures around the news desk, he explains, “Our host Steve Hilton is bald and we use this technique to reduce hot spots on his head. I am guessing other shows have faced the same challenges in controlling multiple points of light off of the top of their host – it’s a great trick.”
Looking ahead, Reinig already sees a need for 12 more Lustr fixtures and 12 spares, as the studio may expand into more of an entertainment stage. “Every time I go to LDI, my mind starts racing with the possibility of new gear. It’s an exciting time in lighting.”
ETC takes balloon museum to new heights
The Anderson Abruzzo Albuquerque International Balloon Museum in Albuquerque showcases the beauty, ingenuity and history of lighter-than-air flight in a building that has become a beloved landmark in its hometown. Thanks to new control products from ETC they were able to modernise their lighting control, offering a dynamic lighting environment that was also more energy efficient.
The museum doesn’t just house balloons, it also is meant to look like one. Its striking facade is the silhouette of a hot air balloon, with the top of the building a dome – newly washed with colour-changing LED fixtures. The museum wanted to take advantage of capabilities of the LED fixtures and reinforce the iconic nature of the building. The solution was an ETC Paradigm system. Lighting looks were programmed into the system and now the museum staff can choose custom colours for different themes or special events.
“Because we are used a lot and we do a lot of activities all year round in the very early morning or late at night, it gives us a way to add an element of beauty to the building,” says Paul D. Garver, manager of the museum. He has plans to let the lights react to weather conditions like temperature, wind speed and more, and when he’s ready to do that ETC’s system will be able to accommodate that as well. As it is, the lights are still a big hit. “They’re a living, breathing part of what’s going on and it’s a big benefit to us.”
The Paradigm system is also a hit inside. The Museum’s event spaces are now easily changeable thanks to Paradigm control and the 7-inch Touchscreen station. Positioned near the ballrooms, the museum can easily shift preset looks in the ballrooms, showcasing the flexibility of the space.
“We use the Touchscreen and its ease of use as a selling point to potential clients,” says Garver. “Everyone is really impressed.
“Museums are educational and engaging venues. We’re always looking for creative ways to get people involved and connected to us, lighting is one way to do that.”
Now, thanks to ETC, it’s easier than ever for the museum to take its patrons to new heights.
ETC ColorSource Console and Fixtures Training
ApexPro and ETC are proud to announce a 1-day training course to take place on 2nd March 2018 at the ApexPro offices in Weltevreden Park.
The course will cover programming on ETC’s range of ColorSource consoles. The course will also introduce participants to ETC’s range of LED fixtures, providing them with a working knowledge of the different types of fixtures, the light that they produce and how to spot a bad LED fixture as well as where the pros and cons of LED over Tungsten truly lie.
The aim of this training course is to offer young technicians who are keen to learn, the opportunity to get hands on experience with real-world lighting equipment in an atmosphere that is fun and not intimidating while also being informative and above all, useful
By the end of the day participants will leave with the ability to program on ETC’s ColorSource Consoles as well as have practical knowledge on various kinds of performance lights and how to deploy them properly to get the best results.
All participants will be presented with a certificate upon the successful completion of the course confirming that they have undergone the training.
The ColorSource Console and Fixtures Training course offers an excellent opportunity for those looking to get into lighting to give themselves a boost into the industry. Absolutely anyone is welcome from any one or more disciplines so please don’t feel shy. The only real pre-requisite is a desire to learn, and perhaps pick up a few new tips and tricks along the way.
Space is limited but don’t worry, if you miss out on this session, there will be more later in the year.
ISE 2018: ETC presents architectural lighting control solutions
ETC will showcase a selection of its versatile and scalable architectural lighting control solutions at ISE 2018. Stand 15-R260 will be dedicated to a collection of reliable, well-supported and easy-to-maintain architectural systems from ETC – designed to suit installations of all sizes and budgets – from a single room to office complexes, large museums, convention centres and entire theme parks.
Unison Paradigm control system
Designed as a new way of thinking about building control, ETC’s visionary Unison Paradigm system fuses architectural lighting control advances with entertainment lighting control technology. ETC’s award-winning expertise in both areas together, providing the best of both worlds.
Paradigm delivers a new level of comprehensive control – sophisticated facility-lighting and building systems integration. And it does so with unprecedented flexibility and simplicity: a green-minded energy management system that capitalises on daylight harvesting, occupancy sensing and time schedules for maximum electricity and budget savings, plus the power to speak with different devices from different manufacturers over the same control system.
Making its debut at ISE, Paradigm version 4.0 boasts several additional features, including energy management monitoring and display, colour control support for conversion to RGBA and RGBW, and comprehensive Paradigm Inspire support in LightDesigner.
Unison Echo control system
The Unison Echo control system offers flexible, intelligent, and scalable control – simply. Whether it’s turning lights on and off, a need for multiple presets, daylighting and occupancy controls for energy savings or the ability to control hue, saturation and intensity of colour-changing LED luminaires; Echo has a solution to fit your requirements.
Mosaic control system
Everyday life has become the staging ground for entertainment technology experiences. The art and wonder of interactive lighting, automation, audio and visual spectacle, kinetic-art displays, water effects, and more are captivating people’s attention – differentiating a venue, creating a landmark, making a truly memorable event. ETC’s Unison Mosaic is a control solution that allows users to merge show control, LEDs, moving lights, media effects, and more into a single work of art, seamlessly closing the distance between technology and life.
“ISE 2018 presents the perfect opportunity for visitors to explore the full range of architectural solutions from ETC,” says Rosi Marx, ETC’s European marketing manager. “Whether you’re looking for one control system used independently as a focused control solution for a specific room or small venue, or multiple systems integrated together to form a single powerful system, our team of professionals will be on hand to discuss options to suit your specific requirements.”
This article is originally from www.pro-systems.co.za
New Mosaic v2.4 software and Mosaic Touchscreen Station
Mosaic version 2.4 software
The premiere product for lighting control and media effects on a grand scale just got better. The newest version of Mosaic software – 2.4 – is here, and includes features big and small, including a new type of timeline, RGB over DALI control, and more.
Timeline has undergone the biggest change in Mosaic v2.4 – adding a real-time 24-hour timeline option. The new timeline starts at midnight and ends at midnight one day later. This real-time timeline makes it very easy to program effects based on any given hour of the day, and includes all events within one timeline, removing the need for multiple timelines and triggers.
The new real-time timeline also includes waypoints that automatically adjust to astronomical events. For example, events can be set to run from sunrise to sunset, and the software will automatically adjust the timing of events to fill the time, whether it’s a long summer day or in the middle of winter.
Other new features include the addition of I/O module support to distribute custom triggers to external programs, a newly re-designed patch to make setup easier, simple RGB control over DALI, bug fixes and optimisations.
Mosaic v2.4 is available for download now. Current generation Mosaic products already in the field can be upgraded.
For more info about Mosaic, visit etcconnect.com/mosaic
Software updates for Eos and ColorSource consoles
Eos v2.6.2 is a patch that addresses several bugs in the previous Eos family software release. It is recommended that you update your console as soon as production schedules allow.
If you’re updating from an older software version (pre-v2.6), please note that the output of your Eos family controller may be increased/adjusted in accordance with the new output scheme introduced in that release. You can read about the changes in v2.6 here.
For a rundown of Eos v2. 6 features, check out the intro video:
ColorSource v1.1.3 is a patch release that fixes a number of playback-related issues in the previous release for your ColorSource or ColorSource AV console.
It is recommended that all ColorSource users update as soon as their production schedules allow.