Worth Fire & Security delivers a complete AV/security solution featuring Electro-Voice audio to Meehan’s Chophouse and adjoining Henry’s Cigar Lounge
EVID ceiling/pendant/surface-mount speakers and subwoofers provide premium sound quality across 12 zones, enhancing guest experience throughout restaurant, cigar lounge, private dining, common areas, and outdoors
EVID range offers an optimal combination of architecture-friendly aesthetics and acoustic performance
As part of the revitalization of downtown Mansfield in the south Dallas suburbs, local construction entrepreneur Tony Meehan purchased an abandoned grist mill building from the city that had also served as a local jail. After a full renovation, he created two new businesses: a fine dining restaurant called Meehan’s Chophouse, and Henry’s Cigar Lounge, an adjoining 5,000 sq-ft, members-only cigar bar. For the new facility’s technology needs, Meehan hired long-time partner Worth Fire & Security in nearby Arlington for design and installation.
“These two businesses share a lot of infrastructure, including things like kitchen and parking. They wanted to build on that approach with their technology. We did a complete AV and life safety system for them, including security cameras, audio and video systems, AV matrix control, plus data infrastructure and listed fire alarm.”
Todd Privette, President of Worth Fire & Security.
For the audio portion of the design, Worth Fire & Security focused on high-value, high-performance offerings from Electro-Voice, with a focus on the EVID line of compact installed loudspeakers. With a wide range of models to adapt to varying audio and visual needs, EVIDs were the ideal choice to provide consistent, cohesive sound across multiple listening areas, indoors and out. The Worth Fire & Security-designed system delivers background music across 12 listening zones, including the restaurant, cigar lounge, various private dining rooms, restrooms, outdoor patios and waiting areas.
“The reason we went with Electro-Voice was really the EVID line, which includes everything from flush-mount and ceiling-mount speakers to attractive pendant and flush-mount models, plus subwoofers and weather-resistant versions,” says Privette. “They have the flexibility to adapt to any room condition, are easy to install, and they look and sound great.”
The EVID C6.2 flush-mount ceiling loudspeaker was selected as the base model for background and house music, with 90 of them spread throughout the building. In areas requiring full-range fidelity, these are augmented by EVID C10.1 10” ceiling subwoofers, with a total of ten strategically placed units covering the Chophouse Bar, the main lounge in Henry’s, plus private lounges and Henry’s outside patio. In the Grist Mill private dining area, which is also equipped with a full video presentation system, audio is provided by a six pendant-style EVID P6.2 loudspeakers hung from its vaulted ceiling.
Outdoors, EVID-S8.2TB loudspeakers provide audio to the waiting areas and parking lot. “Those speakers are very nice because they can do 8 ohms or 70 volts, and each speaker has its own tap,” notes Privette. “That allowed us to put all of outdoor speakers on one circuit, using the taps to draw only the wattage needed for volume appropriate to each speaker.”
The entire system is powered by two Electro-Voice CPS 8.5 amplifiers, providing 16 channels of up to 500 watts each. The system employs 12 of those channels for independent 70-volt audio zones, with the remaining four channels powering the 8-ohm subwoofers. AV control including the audio zones is achieved via touch panels and keypads, with independent control for each business.
Meehan’s Chophouse also has a small stage area with its own sound system, used primarily for special occasions. Suitable for small music groups or DJ events, the live performance stage is equipped with a self-powered Electro-Voice sound system consisting of two ELX200-12P loudspeakers.
“Meehan’s Chophouse and Henry’s Cigar Lounge are a great addition to downtown Mansfield, and we’re proud to be a part of it,” adds Privette. “The restaurant rivals anything you’ll find in Dallas, the cigar bar is a unique attraction, and refined touches like the EVID loudspeakers ensure an outstanding dining experience.”
Associate Sound Designer Hyder Khalil Upgrades Show’s Sound With DPA Instrument and Headworn Mics
For the past 15 years, Associate Sound Designer Hyder Khalil has been crafting the breathtaking audio that brings the long-running London stage musical “Wicked” to life. Working alongside Sound Designer Tony Meola, Khalil abides by Meola’s philosophy when making shows: whether you’re working with instruments or cast members, get the mic in the correct place without being intrusive, and then get the sound as perfect as possible. With these goals in mind, microphones designed to provide authentic audio were the obvious choice when upgrading the theatre’s sound system.
DPA Microphones fit all of the sound needs for “Wicked,” offering numerous clear, natural and versatile mics. After initially integrating the DPA 6061 Subminiature Lavalier Microphones, the theatre added the brand’s 2011 Twin Diaphragm Cardioid, 4055 Kick Drum, and 4099 Instrument Mics to its lineup. “As a whole, DPA makes things easier,” Khalil explains. “You’re not fighting against the microphones—they have such a low noise floor. Compared to our old mics, the DPAs take the sound to another level; details are getting picked up where they weren’t before. Whether you want to hear those details or not is up to you but at least instead of getting lost, we now have the option to keep them in.”
Khalil first introduced the team to the 6061s, which they slowly deployed on individual performers until the entire cast was covered. “I’ve been a fan of DPA for a long time, so I knew the sound quality side of the brand was a given,” he shares. “The main challenge we were looking to solve was aesthetics. The DPA 6061 capsules are small enough to blend into the show while also high-quality enough to bring out the details and nuances of the performers’ voices.”
The detail provided by the 6061s was crucial for Khalil, who has seen numerous casts of “Wicked” and understands the importance of the miniscule differences between each actor’s performance. “It’s not that we had bad sound before, but with DPA it was an immediately noticeable difference,” he explains. “The 6061s sound as if you’re speaking to the actors face-to-face. This also helps improve the humor of the show because you can hear the little comedic changes in the actors’ voices. These mics are just raising the bar another step that wasn’t there before.”
“Wicked” is not only known for its comedic tone, the show’s soundtrack is also popular for its dramatic, sweeping ballads and energizing pop/rock hits. To account for this broad spectrum, the band and orchestra pit rely on the equally versatile microphone solutions from DPA. “We’ve had 4099s on the violin, cello and French horn for several years, and we most recently added them to the drum kit,” Khalil shares. “We’re now also using them for the toms and added 2011s on the snare top and bottom. It’s been a real improvement. The musicians love the DPAs because they’re so small and unobtrusive while playing. Plus, the sound stays consistent between performers.
“We were also lucky enough to get one of the new 4055 Kick Drum Mics, and it has been great,” continues Khalil. “With other kick drum mics, I always found that you’re essentially carving away at them to get usable sound—which becomes more of a compromise than an artistic choice. The 4055 is the first mic I’ve come across where you can actually bring out qualities in the kick drum. The mic is very versatile and acts more like a scalpel than a broad sword, allowing you to carve out little details and be selective in your sound. It’s more of a tool than just a means to an end.”
Owing to the mics’ minimal need for EQ, the sound department consistently experiments with mic placement to improve sound. “We used to always keep the 6061s in the same place,” Khalil says. “Now, we found we can shift them up and hide them and still get the same sound quality. No matter where they end up, whether buried under a hat or rigged as an ear hanger, they sound great. Same with the 4055; we tested out a couple of placements but landed on it being just outside of the drum hole.”
The “Wicked” audio team is dedicated to continually modernizing its sound system to enhance the actors’ performances. Beyond the DPA mics supplied by Sound Network, the sound department additionally relies on a DiGiCo SD7 console and a self-powered Meyer Sound PA designed by Meola and provided by Autograph Sound Recording. A TC Electronics System 6000 handles the reverbs, and various Lexicon units provide special effects throughout the show. Backstage, Sennheiser transmitters and receivers work with the DPA mics to create an excellent sound. As DPA maintains that transparent, natural audio worthy of a global favorite like “Wicked,” Khalil will continue to love and trust the brand’s solutions, saying, “Given the choice, DPA would always be my go-to.”
ABOUT “WICKED”: “One of the most successful musicals of all time” (BBC News), “Wicked” is already the 12th longest-running production in West End history. Stephen Schwartz and Winnie Holzman’s award-winning musical is based on the novel by Gregory Maguire and imagines a beguiling backstory and future possibilities to the lives of L. Frank Baum’s beloved characters from “The Wonderful Wizard of Oz,” revealing the decisions and events that shape the destinies of two unlikely university friends on their journey to becoming Glinda The Good and the Wicked Witch of the West. www.WickedTheMusical.co.uk
Discovering the Global Stage, One Beat at a Time with Simphiwe “Smooth” Mhlanga and DPA Microphones
In a world where music knows no borders, the rhythm of Sub-Saharan Africa has found its way into the hearts and playlists of millions worldwide. The International Federation of the Phonographic Industry’s Global Music Report 2022 revealed that Sub-Saharan Africa experienced an impressive 34.7% surge in music sales in the previous year, with South Africa leading the charge with a 30% year-on-year increase in sales. African artists are reaching global audiences, propelling the South African music industry into the spotlight.
With the advent of streaming services like iTunes and Spotify, South African musicians are being discovered and enjoyed by a global audience. And with global recognition comes the opportunity for South African producers and sound engineers to showcase their talents and compete on equal footing with professionals from more established markets.
First to accept the challenge is Simphiwe “Smooth” Mhlanga, an up-and-coming sound engineer. Smooth’s journey into the world of sound engineering began as part of the production crew at Hope Restoration Ministries in Gauteng while he was still in high school. His passion for music and sound led him to pursue formal training specializing in film, television, radio, and broadcast.
After years of honing his skills, Smooth ventured into the world of freelance sound engineering. The pressure of the live music scene taught him a deep appreciation for reliable, high-quality gear and on-the-spot problem-solving. “Being a freelance sound engineer is an incredible learning experience for any young technician. You are only as good as your last job, and there are no second chances. It taught me the value of having professional quality, well-maintained equipment that meets the highest industry standards on every single gig,” he explains. As Smooth’s reputation grew, he became the sound engineer of choice for some of South Africa’s most promising music talents, including the late Kiernan Forbes (AKA) and Jabulani Hadebe (Sjava).
Smooth has also joined forces with like-minded young professionals to provide live production, outside broadcast, and post-production services for both creative and corporate clients in the region.
To ensure that local artists receive the same level of professionalism and equipment as their international counterparts, Smooth took a bold step early on in his career by investing in a top-tier inventory of audio equipment, including a set of DPA 2028 Vocal Microphones.
“The DPA 2028 Mic is a handheld vocal condenser mic that can be used wired or with a wireless system and is perfect for capturing the energy of high-intensity performances. It is specifically designed for the live stage, and offers exceptional sound quality, transparency, and versatility,” explains DPA product specialist at ApexPro, Keith Karimi.
Reflecting on his decision to invest in DPA technology, Smooth emphasizes the importance of serving the artist’s needs as a priority. “While many performers may not initially be aware of the difference top-quality microphones can make, they come to appreciate it once they experience it firsthand” Smooth points out. His ongoing commitment to enhancing the quality of local performances by using the industry’s best tools has garnered recognition and praise from artists and audiences alike.
South African music is no longer confined to its homeland; it has transcended borders and is opening much-needed opportunities to develop our local music industry. The success of professional production specialists like Smooth Mhlanga reflects the dedication, talent, and vision of the South African music industry as it continues to carve its place on the world stage. As the beats of Africa continue to captivate hearts worldwide, one thing is certain – the sound engineered by Smooth is transforming the way we experience South African music, one beat at a time.
Teatri di Siena is leading the way in sustainable theatre practices by upgrading to the latest and most efficient LED systems from ETC. With support from Italy’s National Recovery and Resilience Plan (PNRR), the venue is embracing an eco-friendly option that not only benefits the planet but also enhances the audience’s theatrical experience.
In an effort to promote technological advancement and energy conservation, PNRR is extending aid to the theatre industry as it recovers from the pandemic. Teatri di Siena is seizing this opportunity by upgrading its lighting system. Seasoned electrician and lighting aficionado Andrea Garbini is leading the venue’s ongoing renewal efforts, along with colleague Michele Pisano. Together, they are making significant strides towards a sustainable and eco-friendly future for the theatre industry through the PNRR initiative.
According to Garbini, Teatri di Siena has a clear objective – to produce exceptional shows. “As the world of theatre continues to evolve, venues must be equipped with professional and reliable resources to attract and support high-quality productions,” he says. “ETC is a perfect fit. It’s a company I have established a relationship of trust and precious collaboration with, that I have gladly made available to a theatre that feels like my own.”
With the addition of 25 Lonestar fixtures and an Ion Xe 20 lighting console from the Eos family, Teatri di Siena is preparing to bring its productions to the next level. Garbini is confident that the equipment will be put to great use, especially with upcoming productions by the Accademia Chigiana later this summer. The Lonestar’s ability to create stunning visual effects and its smooth movement will add a new dimension to the performances, creating an immersive experience for the audience. Additionally, the venue is eagerly anticipating the arrival of even more ETC products to enhance its productions, including LED ColorSource Spot V fixtures and Source 4WRD Color II engines, which will transform their existing Source Four incandescent profiles into more energy-efficient color-mixing LED fixtures.
As lighting design technology continues to evolve, more and more companies are turning to the Eos system. “During the most recent season, I had the opportunity to collaborate with fellow experts who shared their unique programming styles using the same system,” comments Garbini. “It was fascinating to see the versatility and potential of Eos, especially with the latest updates that have been added. I look forward to testing out the rest of the products in the coming months and can’t wait to see how they enhance theatre and outdoor events.”
As part of the (IM) Patti Chiari project aimed at reducing environmental impact, Teatro di Siena has taken various measures such as reducing printing, eliminating plastic bottles at the bar, and planting trees to offset CO2 emissions. The replacement of lighting fixtures with energy-efficient luminaires will further reduce consumption, making it a sustainable venue. With ETC’s advanced lighting equipment, the theatre is poised to deliver exceptional shows that leave a lasting impression.
ETC is distributed and supported in Southern Africa by ApexPro. Contact Jannie De Jarger for more information.
When running a successful restaurant, attention to detail can make all the difference. From delectable dishes to impeccable service, every aspect contributes to creating a memorable dining experience. One element that often goes unnoticed but plays a crucial role in setting the right ambiance having an effective sound system.
In this article, we will explore the importance of an installed sound system and highlight the exceptional features of the HH Electronics TNi-W8PRO, a high-power, compact, and versatile loudspeaker system designed with the needs and budgets of restaurant owners in mind.
Unparalleled Sound Quality:
The HH TNi-W8PRO boasts a powerful 8-inch HH low-frequency driver with a 2-inch voice coil, delivering deep and punchy bass. Complementing this is the 1-inch Celestion CDX1-1070 high-frequency compression driver, ensuring clear and detailed highs. With this impressive combination, the sound system provides a full-range audio experience that will captivate your customers and enhance their enjoyment of your establishment.
Versatile Orientation and Mounting Options:
Designed with flexibility in mind, the HH TNi-W8PRO offers a rotatable waveguide, allowing you to use the loudspeaker in either vertical or horizontal orientation, depending on your space and layout requirements. Additionally, the system offers various mounting options, including 7 x M10 Penn-Elcom fly points and 4 x M8 mounting points for the optional TNi-BRK30 mounting bracket. This versatility enables you to optimize the sound distribution and ensure consistent audio coverage throughout your restaurant.
Reliable and Durable Construction:
Understanding the demands of a restaurant environment, the HH TNi-W8PRO is built to withstand the rigors of daily use. Enclosed in a robust wooden enclosure, the system features a powder-coated steel grille with acoustic foam backing, ensuring durability and protecting the internal components. The sleek black or white finish adds a touch of elegance that seamlessly integrates with your restaurant’s decor.
Flexible Connectivity Options:
The HH TNi-W8PRO provides flexible input connections via either an M4 barrier strip or Euroblock, giving you versatile options to connect to your audio sources. Whether you prefer a hardwired connection or a more streamlined setup, this sound system adapts to your specific needs, allowing for easy integration into your restaurant’s existing audio infrastructure.
As a restaurant owner, creating a captivating dining experience is essential for attracting and retaining customers. An installed sound system, such as the HH TNi-W8PRO, offers a range of benefits that contribute to the overall success of your establishment. With its exceptional sound quality, versatile orientation, and mounting options, reliable construction, and flexible connectivity, this system ensures that every corner of your restaurant is filled with immersive, high-quality audio. Elevate your restaurant to new heights with the HH TNi-W8PRO sound system and leave a lasting impression on your guests, ensuring they return for the remarkable experience you provide.
ApexPro is the sole distributor of HH Electronics Solutions in Southern Africa.
Designed with durability and versatility at the top of its requirements, the kits will fill a vital role for sound professionals. “We are excited to share these new solutions with our industry colleagues,” says Helga Volha Somava, Product Management Director, DPA Microphones. “We have listened to and taken notes from experienced sound engineers within multiple industries to correctly define which mics are most critical for each application. With the flexibility to easily upgrade the mics, tools and accessories, we aimed to provide audio professionals with the best starting point to reach their end goal.”
Offering an ideal microphone and accessory selection for touring sound engineers, the DLK4000 Live Microphone Kit features 20 mics and capsules, along with a multitude of useful accessories that will enhance sound quality, clarity and consistency. Included in the kit are mics for lead and backup vocals as well as instrument mics for close-miking any live instrument. To further equip the entire live stage, the kit’s lineup features various pencil mics, which are ideal for spot-miking instrument groups or capturing ambient sounds. Accessories such as extension cables, mic clips, mounts and wind screens ensure easy set-up and breakdown no matter the instrument.
For those miking more in the studio than on the stage, the DSK4001 Studio Microphone Kit offers a premier solution for small home studios and large professional spaces alike. The brand’s prestigious, high-quality condenser mics that are provided are ideal for recording bands, vocals and anything in between. This medium-sized kit contains both instrument and vocal mics, as well as a wide variety of helpful clips and holders, allowing for simple setup when close-miking a single instrument or spot-miking an entire group.
The DRK4001 Ultimate Recording Kit features even more top-of-the-line professional microphones to make a trip to the recording studio a breeze. Over two-dozen DPA condenser microphones and close to 100 functional accessories sit within this case, making it possible to mic any instrument imaginable. No other kit available can handle miking a full-service recording studio in such style. As DPA prioritizes versatility, the DRK4001 can additionally aid in live-stage recordings.
This adaptability also shows in the DLS4000 Location Sound Microphone Kit, which features all the standard TV/film production solutions, along with cables, holders, concealers, adapters, clips and more. From shotguns for booming to micro-shotguns for discreet plant-miking and a range of lavaliers for close-miking, each microphone included in the kit has been specifically chosen based on input from professional sound engineers, to prepare users for whatever task is thrown their way.
Previously introduced at NAMM 2023, the DDK4000 Drum Miking Kit is designed to deliver a clear and natural reproduction of the low-frequency, high SPL instrument. With consideration for durability at the forefront of this solution, the microphones have also been rigorously tested to perform flawlessly for all types of music genres and instrument types, and to withstand the demands of life on the road.
Each of the new DPA Microphone Kits is now available for purchase. For more information, including pricing and a full listing of type and quantity of mics in each kit, please visit HERE.
