Dynacord SONICUE 1.2.4 Sound System Software has been released. It supports the upcoming Dynacord WPN1 networked wall panel controller, offers operational parameters for IPX and TGX amplifiers for designing control panels in SONICUE’s panel designer, and comes with new MXE logic featuring an active HTTP API, a scheduler function and other enhancements.
In October Dynacord will release the WPN1 networked wall panel controller. It provides simplified operation and control of devices within the SONICUE ecosystem. With its 1.77” TFT color display and rotary encoder it can control MXE5 Matrix Mix Engines or IPX amplifiers system-wide. Configuration in SONICUE’s panel designer provides dedicated customization, from volume control in a single zone to multi-zone control with individual pin-protected menus. Combined with the color display and support of characters for local languages, the WPN1 provides a customization level close to a touch panel controller, ensuring that users can interact effectively with their system.
The Electro-Voice teams in the UK and the US have been proving the stunning sound quality of MTS high output point source loudspeakers in a series of open-air demonstrations for consultants and stadium professionals. In this video, audio experts share their first impressions of MTS after hearing the new standard in stadium sound for the first time at events in Wigan and Burnsville
The latest webinar from Dynacord explores end-to-end audio solutions for sports venues. In the webinar, Martijn van Overveld explains how it is possible to create complete professional audio solutions to cover every aspect of stadium sound from within the expansive Bosch portfolio. The webinar also gives real-world examples of these solutions being put to use including C series amplifiers powering the system in a small stadium and IPX combining with MXE5 to control the audio in a large arena.
Football fans cheering on The Netherlands in Euro 2021 are benefitting from a new matchday experience from the famous Orange Double Deck Bus, thanks to a freshly installed sound system ready to help whip up the atmosphere into a frenzy
HGL from Tilburg equipped the bus with a solution calling on the combined benefits of Electro-Voice and Dynacord. Sound inside the bus is courtesy of six EVU-1082/95 cabinets with low end support from a ZX1-Sub. Meanwhile four MFX-15MC loudspeakers pole-mounted on a pair of Dynacord FX20-PRO subs provide powerful sound reinforcement outdoors. Power for the solution is from a single Dynacord IPX amplifier while SONICUE sound system software and a CMS-1000-3 mixing console are part of the solution to provide perfect mixing and control.
The Royal Institute of British Architects (RIBA) drew on the combined
strengths of Electro-Voice and Dynacord for an audio solution update in
the Jarvis Hall at its London headquarters. T S Professional Sound+Light
took on the installation project in the protected historic building to
create a system that would be as flexible as the room itself.
Created as a lecture and examination space
when the building was opened in the 1930s, Jarvis Hall has a 284-seat
main hall, which can be expanded to a 400-person capacity with the
inclusion of a breakout room, hidden behind a moving tapestry at the
back of the space. This split design means that any solution being added
to the technical setup needs to flexible enough to cope with multiple
configurations.
“We originally had quite a limited system in
here,” recalls Steve Barrett-White, AV Manager at RIBA. “We had a
two-channel, four-speaker system but because things have grown for RIBA
on the events side, we required full 7.1 surround sound to cater to film
screenings. In addition to this, the orientation in the breakout room
can either face the main stage when it is being used as one large hall
or can be rotated 90 degrees. This led to a design with 13 speakers
across both rooms.”
Over three days, the T S Professional
Sound+Light team installed Electro-Voice EVC-1122s as the main system,
with EVC-1082s as side fills and EVU-2082Bs as centre fills in the main
hall. Low frequency support is via a pair of EVC-1181 subwoofers
installed under the stage. The breakout space features three more
EVC-1082s to allow for the different configurations.
“We took a look at what was already here, and
we just tried to improve on that,” states Keith Upton, Managing Director
at T S Professional Sound+Light. “The speakers had to be larger for a
bigger sound. Thankfully, one of the things about Electro-Voice is that
there is a speaker for every application, so you are never frustrated
when you do a job. It had to be surround, but we were restricted with
where we could install the speakers by the Grade II listed building
status. So, we plotted where the speakers could be installed on custom
brackets and agreed on a design in consultation with Electro-Voice.”
Power and control is via a pair of IPX10:8
amplifiers from Dynacord. These eight-channel installation-dedicated
models eliminated the need for a separate audio matrix. These amplifiers
feature fully integrated high-resolution 96 kHz DSP with Dante and OCA
functionality.
“The amps all have preconfigured settings
which we can select for the different uses of the hall,” adds Gabriel
Thorp, Senior AV Technician at RIBA. “This has opened up the
possibilities for how the space is used, and we can give our clients the
assurance that the sound system can be optimized for their needs.”
Completing the solution is Dynacord’s new
SONICUE sound system software, which provides comprehensive system
monitoring and intuitive control via a “speaker view” GUI. This gives
RIBA’s engineers a real-time visual reference to what is happening with
the sound system, with the ability to monitor impedance, control levels
and mute speakers, when needed.
Reflecting on the upgrade, Barrett-White
concludes: “Electro-Voice and Dynacord came out as the number one choice
for Jarvis Hall because of their flexibility with working with us and
the architects to create the best possible system. The sound was so much
better than anybody else’s; it just fit this space perfectly.”
When Spectra, the venue management and operator of the Iowa Events
Center (Des Moines, Iowa), decided it was time to update the sound
system in the Wells Fargo Arena, they opted to work with Daktronics on a
design-build basis. The goal was to modernize the sound both within the
arena – which serves as the region’s primary sports and entertainment
venue – and for several ancillary areas outside the main space,
including concourses, restaurant/bars, and interview rooms. The project
was led by David Sturzenbecher, applications engineer in the Audio
Systems division of Daktronics. The physical installation was managed by
Daktronics Field Engineer Thijs Hammink.
Providing the highest
level of sound quality within the arena was the main goal, and
Sturzenbecher elected to fly a series of sub-compact line-array
loudspeakers to achieve it – the XLD291 from Electro-Voice. A key factor
was the physical size of the arrays, which provide full audio coverage
within the bowl area without interfering with sightlines to the main
floor and video scoreboards. A total of 94 XLD291 elements are deployed
in eight separate arrays ranging from nine to 13 boxes each. Coverage
for the main floor itself comes courtesy of four Electro-Voice EVH-1152
horn-loaded loudspeakers hung within the scoreboard structure. Another
EVH-1152 is deployed as a fill speaker for the low seats behind each
basket. As they do for the vast majority of their stadium projects,
Daktronics also provided an Electro-Voice RE20 broadcast microphone for
the announcer.
“The unique thing about Wells Fargo Arena is that
it’s symmetrical across one axis, but varies wildly on the other, so the
south end of the house has only about two-thirds the seating of the
north end. We also needed to account for the Plexiglas dasher boards
used for hockey, which can create shadowing if the arrays aren’t
positioned precisely,” explains Sturzenbecher. “We mapped the venue in
EASE, which allowed us to position everything for full audio coverage
without blocking sightlines to the center video board. Because we are,
after all, also a video board company.”
Amplification throughout
the arena is provided by Dynacord IPX series multi-channel DSP
amplifiers for fixed installation. This enables both sophisticated
signal processing and Dante audio networking of the entire sound system,
while also providing highly efficient power and state-of-the-art system
performance and protection technologies. “Originally, we were
considering another amp for this project,” says Sturzenbecher, “but when
Dynacord came out with the IPX series, we found the processing and
tuning for the entire EV system works natively in them, so we gladly
made that change,”.
For the ancillary areas outside the Wells
Fargo Arena main bowl, Daktronics employed a wide range of Electro-Voice
surface-mount speakers, primarily the EVID-S models with their
innovative quick-mount system. A total of 181 EVID-S5.2XB speakers were
required to expand coverage beyond the concession stands, eliminating
dead spots on the concourses while upgrading the audio in the facility’s
restaurants and bars.
EV’s wide selection of surface-mount models
proved a huge benefit in other applications as well. The dedicated
interview room received nine EVID C8.2 ceiling speakers, while the
service level entrance downstairs is covered by 12 EVID-S8.2TB models.
Various bar areas benefit from the use of ceiling-mounted C10.1 and
EVID-S10.1DB subwoofers, plus 20 C4.2 ceiling speakers.
The new
sound system has received high marks from all involved. Spectra’s A.J.
Johnson, Production Manager for Wells Fargo Arena, commented, “Wells
Fargo Arena needed improved sound quality and clarity to ensure the best
experience for our guests. We also needed a timely installation that
stayed on budget. Daktronics nailed all our needs and stayed patient
when we needed to make adjustments. The new EV sound system checked all
our boxes with a greatly improved listening experience throughout the
arena. We are also very happy to have improved flexibility of use to fit
our varied types and sizes of shows and events.”